tag:blogger.com,1999:blog-6694207563139293022024-03-10T14:13:05.201-05:00 Your resource for all things shoegaze and dream popWhen The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comBlogger2528125tag:blogger.com,1999:blog-669420756313929302.post-11018692504801141452020-12-03T12:22:00.000-06:002020-12-03T12:22:15.466-06:00Album Review: Bloody Knives | 70 Years of Static. Reviewed by Ellie Sleeper.<p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: center; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4A5hji_2pxmdTZumPLQ0ihoDsm8Ev9IqQrPtJqFUu_De_siX0mLnoDnhx3zWwj-iU_xiKXbvgsULruACIWbBhTxkC1rFdm_AP7o6klMwdNpZM08PYEyG0USbvkE4abWD9JgOc60CBOM/s1200/a3466380656_10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="567" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid4A5hji_2pxmdTZumPLQ0ihoDsm8Ev9IqQrPtJqFUu_De_siX0mLnoDnhx3zWwj-iU_xiKXbvgsULruACIWbBhTxkC1rFdm_AP7o6klMwdNpZM08PYEyG0USbvkE4abWD9JgOc60CBOM/w567-h567/a3466380656_10.jpg" width="567" /></a></span></span></p><p></p><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><a href="https://www.facebook.com/thebloodyknives/" target="_blank">Bloody Knives</a>’ new album </span></span><a href="https://bloodyknives.bandcamp.com/album/70-years-of-static" target="_blank"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">70 Years of Static</span></span></a><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> drops this coming Friday, December 4. Read on for a track-by-track list of first reactions and a full review below! </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Lostaway</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />This
absolutely must be heard in headphones, as the whole album should be.
The opening hook panning and swirling builds fabulous anticipation for
the moment the song comes into focus, the synthesizer and drums taking
the shape of aptly futuristic burst-fire weaponry. Whole song works on
building tension then dropping the floor out from listeners for just a
moment. Tonal variation abounds in the latter half before the
deceptively-brief affair comes to a sudden halt, tires screeching behind
it just in time.</span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> <br /></span></p></div><div class="OutlineElement Ltr SCXW149458332 BCX2" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">This is the Way You Burn</span></span></b><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;"><b>:</b> </span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1832524119/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=2531575181/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="https://bloodyknives.bandcamp.com/album/70-years-of-static">70 Years of Static by bloody knives</a></iframe> The
opening drumming feels a knowing nod to “March of the Pigs,” trading
the fury there for frigid ennui for nearly a full minute before bursting
into bloom, as bitterly swirling waves of static wash over the chorus
and McCown’s drumming becomes almost superhuman. It’s difficult not to
imagine limbs thrashing viciously in a darkened room while Maddox’s
nearly-whispered intonations fall amid the murk, each syllable laced
with quiet threats, both in delivery and in actual lyrical content. It’s
a familiar dichotomy for the two, but it’s somehow more sinister here
than it has been before. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Out </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">From</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> the Shadows </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Into</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> the Light</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br /><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1832524119/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1712356243/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="https://bloodyknives.bandcamp.com/album/70-years-of-static">70 Years of Static by bloody knives</a></iframe>Perhaps
the most mechanical song they’ve written to date, which of course means
they’re playing to strengths. There’s an effortless brawn to the
arrangement, and this is definitely one of the album highlights. Dance
amidst fire sirens or convince about a dozen club kids to have a knife
fight; either way this is the kind of soundtrack you’d expect for it.
Chugging bass contrasts with a barrage of synthesizer klaxons which are
occasionally interrupted by more piercing tones. All three meet with an
almost euphoric hook for the last few seconds. It’s tragically and
tantalizingly brief. This one begs for a remix. Hell, it begs for
twelve. May we all be so fortunate!</span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Tourniquet: </span></span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />Again,
dance culture creeps in! If the prior track felt tinged by an
Underworld influence, The Orb come to mind here. One could dare describe
the opening notes as playful, not an adjective that one would expect
for such a band. Hi hat rolls during this introductory passage are
delicious, and all of the drumming is particularly nimble. When the
dynamics shift, McCown picks up with little flourishes. It’s never
ostentatious, but feels measured and quick-witted. It’s impossible not
to move with his playing here. It’s confident playing, deserving of more
expletive-laden, glowing compliments than may be wise to publish. The
almost pastoral, horn-like synthesizer voices in the final decrescendo
are unexpected, but oddly pleasant! Sadly, again, this one ends too
soon. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr SCXW149458332 BCX2" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Eyes Don’t Move</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />Oh,
that opening drop! How could a punch to the face ever be so welcome?
Watery vocal effects—likely clever double tracking—pad the blow just
enough. Lead instrumentation is ambiguous here; whether it’s guitar or a
heavily distorted horn patch on keys is hard to say, but its rise and
fall propels the song forward. There are some clever cymbal-mute moments
here that one could blink and miss, but they leave room in the mix and
allow for copious use of said percussion that would be jarring from a
less adept performer. Closing moments are again surprisingly delicate,
minus the solitary, thumping roar of heartbeat bass notes.</span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">NYE</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />So,
2016’s “Black Hole” got a sequel, a grittier elder brother of sorts?
Few things could ever be more welcome! The lead tones crackle and hiss
over distorted bass before blurring into a dizzying wash that, again,
must be experienced over headphones. It’s intoxicating, layered, begging
to be studied. Somehow it manages to be calm amid the din, almost
comforting? Here, a clear pattern emerges of being bruised by the noise
first, just to be held over a few shimmering seconds of synth pads.
While it’s an initially frustrating denial, never being quite enough to
get lost in, the ebb and flow of this duality becomes its own reward.
Again, however, a remix or three would be warranted, welcomed, and
hastily purchased. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><b>Extinction: </b><br /></span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">The
tempo recedes into a warmth that would almost suit a stoner metal
group. Of course, this is still Bloody Knives, so there’s an apocalyptic
sheen all the same. Stuttering, syncopated drums are a welcome
surprise. This is the breather we’ve been building to, though still no
less fiery. This could have been ridden out for four times the existing
runtime, and it’s likely no one would have </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SpellingErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">objected.Their</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> earlier “Bleed Out” comes to mind. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr SCXW149458332 BCX2" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Parasomnia</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />A
soft pulse of synthesizer pads hides deceptively fast bass work here as
Preston brings one of his most beautiful vocal melodies in a long
while. When the arrangement opens up, it drops listeners into a
resplendent hall of mirrors as cleverly panned synth hooks refract one
another into the infinite. This is a subtler moment, perhaps, but
another of the high points of the album. A </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">lot</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">
happens here, and Bloody Knives songs are always at their best when
they do this. It’s best not to spoil the surprises any further with
describing them. Whereas other songs on the album close with a whisper,
this one gets loud! If prior tracks on the album left </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SpellingErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">youmissing</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> that, here it is again for you, an old friend smirking at you for having been so impatient. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr SCXW149458332 BCX2" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Ashes </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Into</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> Dust</span></span><span style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif;">: </span></b><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><br />It’s
surprising this isn’t the album closer. Do not adjust your speakers;
the glitching, interrupted hooks are expected. Again, we get a slower
tempo, and an assured touch of finality that comes with that. McCown
controls the energy very well here, with interspersed fills moving all
over isolated parts of his kit so imperceptibly that they coalesce into a
broader, seamless whole. It could take a few hours to try to dissect, a
pleasant challenge, to be sure. Truth told, it’s hard to focus on
anything else because of how shining a moment of drumming it is. Quite
probably, everything else is given a backseat to allow for this, which
is a wise choice. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr SCXW149458332 BCX2" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"><b>Eclipse: </b><br /></span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">We
get that machine-gun-fire synth work again here. There may be some very
careful time signature changes in it, but it’s not entirely apparent at
the first few listens. If you forgot the punk roots this all came from,
you’ll be reminded here. This feels like a celebration of all of the
sounds they’ve touched on before, actually, as a simple, more
psychedelic hook is set against what just might be a piercing guitar for
the last few moments. This does actually make sense as the closer, in
hindsight. </span></span></p><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: center; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> <b>***</b> </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">On the whole, </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">70 Years of Static</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">
feels indebted to rave culture, despite still being every bit as
industrial and aggressive as the majority of the Bloody Knives catalog
to date. Big Beat groups of yesteryear come to mind, as if catapulted
into the dystopia of Earth circa 2020, where such sounds prove even more
needed and welcome. It’s purgative, but never too nihilistic, which is
probably for the best given the shape of the last year. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Production
is bitingly crisp, lending intensity to the songs from a different
angle than the dense arrangements of past work. For those who
appreciated that about past albums, this represents a gear shift, but
one that still hits the same targets after momentary recalibration.
Great attention has been given to these mixes. It works very, very well,
and is an intriguing new side to see. The growth isn’t overzealous or a
radical reinvention, so nothing is so different as to be unfamiliar or
unwelcome. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Since 2016’s </span></span><a href="https://bloodyknives.bandcamp.com/album/i-will-cut-your-heart-out-for-this-2" target="_blank"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">I Will Cut Your Heart Out </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">For</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"> This</span></span></a><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">,
the Texan collective has been moving towards more subdued approaches.
While 2018’s follow-up White Light Black Moon was icier than its
predecessor, the songs here seem to refocus the current incarnation of
the band on familiar, bloodthirsty (ha) territory, but not without a
wink and a smile. Is this a . . . carefree Bloody Knives? It’s strange
to even consider such a descriptor for their music, but it just may fit!
Things here are certainly confident, yet never self-indulgent. Sadly,
there are moments where self-indulgence would have been warranted that
aren’t capitalized upon, but there are worse fates than being left
wanting for more of a good thing. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"></span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Guitar
is nearly absent on the album, and may be entirely; anything sounding
like one could just as easily be a very cleverly manipulated synthesizer
or keyboard signal. The ambiguity works and things still sound
incredible either way. Moreover, this approach will be familiar to those
who enjoyed the band’s earlier work, but the end result is subtler,
sharper here. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Those
who may have felt alienated by the more experimental and reserved
nature of this album’s predecessor will likely welcome everything here.
Those hesitant listeners who may have found the band too noisy before
will appreciate how balanced the mixes are. Part of the band’s appeal in
the past was that they could be a challenging listen, but they’re no
less enjoyable when stripped down to bare and polished essentials.
Perhaps less is more? Maybe, just maybe. </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Overall, </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; font-style: italic; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">70 Years of Static</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">
is a crisp, focused effort that manages to make a very specific formula
and approach still sound new and somehow modern. It comes at a time
when a bit musical catharsis is very sorely needed. It’s hard to find
any faults in any if it </span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">save</span></span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">
for one nagging complaint: there’s just not enough of the damn thing!
Brevity shouldn’t be a surprise for a band that plays at such tempos,
but again, everything old is new again even here, and it’s easy to
forget not to expect said brevity. At least anticipation is a Hell of a
drug, eh? Here’s to the next one! </span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span></p></div><div class="OutlineElement Ltr BCX2 SCXW149458332" style="direction: ltr;"><p class="Paragraph SCXW149458332 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;"><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;"></span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> </span><span class="TextRun SCXW149458332 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"><span class="NormalTextRun SCXW149458332 BCX2" data-ccp-parastyle="No Spacing" style="background-color: inherit;">Addendum: Oh, and rumor has it those remixes I found myself wanting may just be in the pipeline already! One can hope!</span></span><span class="EOP SCXW149458332 BCX2" data-ccp-props="{"201341983":0,"335559739":0,"335559740":240}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 19px;"> <br /></span></p></div>When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-9388873948549746732020-05-01T12:32:00.000-05:002020-05-01T12:32:50.680-05:00NEW VIDEO: Velveteen | Change Your Mind.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLzWmpWrPaKR8arKldxYc4DeLm6U6WKqcwi6bS3dypX1kFD6JAwxSCuKgOCopcbXOZqw2mtEbM1AHOfIDyarmoYbr0dYf7OhhSHf9fDPkYVYdEcXUTiS4nK_suDVgpzsdmwgJIItp6ts/s1600/cym2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="371" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLzWmpWrPaKR8arKldxYc4DeLm6U6WKqcwi6bS3dypX1kFD6JAwxSCuKgOCopcbXOZqw2mtEbM1AHOfIDyarmoYbr0dYf7OhhSHf9fDPkYVYdEcXUTiS4nK_suDVgpzsdmwgJIItp6ts/s1600/cym2.png" /></a></div>
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<div class="Paragraph SCXW136126215 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="TextRun SCXW136126215 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW136126215 BCX2" style="background-color: inherit;"><b>UK-based fuzz lovers <a href="https://velveteen.bandcamp.com/">Velveteen</a></b> premiered a </span></span><span class="TextRun SCXW136126215 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW136126215 BCX2" style="background-color: inherit;">brand-new</span></span><span class="TextRun SCXW136126215 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW136126215 BCX2" style="background-color: inherit;"> single this week on When </span></span><span class="TextRun SCXW136126215 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun ContextualSpellingAndGrammarErrorV2 SCXW136126215 BCX2" style="background-color: inherit;">The</span></span><span class="TextRun SCXW136126215 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW136126215 BCX2" style="background-color: inherit;">
Sun Hits’ radio show and, unsurprisingly, listeners loved it. The
single, “Change Your Mind”, is a sunny, fuzz-laden piece of noise pop
that’s provides a welcome distraction from the mad reality we’re living
in these days. The band has also just released a hazy, kaleidoscopic video to accompany "Change Your Mind” which you can watch below. </span></span><span class="EOP SCXW136126215 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"></span></div>
<div class="Paragraph SCXW136126215 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="EOP SCXW136126215 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><br /></span></div>
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<div style="text-align: center;">
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/jl3VrQi1Mck" width="560"></iframe><br />
<br />
<div class="OutlineElement Ltr BCX2 SCXW121677942" style="direction: ltr;">
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">Drew
of Velveteen tells us that the single is a one-off studio cut taken
from sessions in Croydon, London that the band recorded late last year.
In fact, the band has completed a full album’s worth of tracks and plans
to release an LP sometime in 2020. We’re thrilled to hear that! Drew
hinted that they might also release an EP at some point before the album
release, but nothing is set in stone just yet (which is understandable,
given the world’s present circumstances).</span></span><span class="EOP SCXW121677942 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"> </span></div>
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<br /></div>
</div>
<div class="OutlineElement Ltr BCX2 SCXW121677942" style="direction: ltr;">
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">As
many of you know, Bandcamp is waiving their fees once again today in an
effort to support artists and labels affected by the current covid-19
crisis. This means all proceeds from Bandcamp sales today will go
directly to the artists (or labels), so you couldn’t choose a better time
to pick up some new tunes. Bandcamp plans to waive
fees again on June 5th and July 3</span></span><span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 9.5pt; line-height: 20.5042px;"><span class="NormalTextRun Superscript SCXW121677942 BCX2" data-fontsize="12" style="background-color: inherit; vertical-align: super;">rd</span></span><span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">, which is excellent news.</span></span><span class="EOP SCXW121677942 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"></span></div>
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<br /></div>
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<div class="OutlineElement Ltr BCX2 SCXW121677942" style="direction: ltr;">
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">If you’re interested in supporting Velveteen today, you can pick up their most recent EP, <i>Bluest Sunshine</i>, </span></span><a class="Hyperlink SCXW121677942 BCX2" href="https://shorediverecords.bandcamp.com/album/bluest-sunshine-ep" rel="noreferrer noopener" style="color: inherit; text-decoration: none;" target="_blank"><span class="TextRun Underlined SCXW121677942 BCX2" data-contrast="none" lang="EN-US" style="color: #0563c1; font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px; text-decoration: underline;"><span class="NormalTextRun SCXW121677942 BCX2" data-ccp-charstyle="Hyperlink" style="background-color: inherit;">here</span></span></a><span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">. Previous releases by the band are available </span></span><a class="Hyperlink SCXW121677942 BCX2" href="https://velveteen.bandcamp.com/album/yours-to-enjoy-4-track-ep" rel="noreferrer noopener" style="color: inherit; text-decoration: none;" target="_blank"><span class="TextRun Underlined SCXW121677942 BCX2" data-contrast="none" lang="EN-US" style="color: #0563c1; font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px; text-decoration: underline;"><span class="NormalTextRun SCXW121677942 BCX2" data-ccp-charstyle="Hyperlink" style="background-color: inherit;">here</span></span></a><span class="TextRun SCXW121677942 BCX2" data-contrast="auto" lang="EN-US" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><span class="NormalTextRun SCXW121677942 BCX2" style="background-color: inherit;">.</span></span><span class="EOP SCXW121677942 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"> </span></div>
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="EOP SCXW121677942 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;"><br /></span></div>
<div class="Paragraph SCXW121677942 BCX2" lang="EN-US" style="background-color: transparent; color: windowtext; font-style: normal; font-weight: normal; margin-left: 0px; margin-right: 0px; padding-left: 0px; padding-right: 0px; text-align: left; text-indent: 0px; vertical-align: baseline;">
<span class="EOP SCXW121677942 BCX2" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="font-family: Georgia, Georgia_EmbeddedFont, Georgia_MSFontService, serif; font-size: 12pt; line-height: 20.5042px;">If you missed the premiere of "Change Your Mind" on DKFM this Wednesday night on WTSH, you can hear the single this weekend once WTSH hits Mixcloud. </span></div>
</div>
</div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-2929215300022110642019-07-22T14:11:00.003-05:002019-07-22T14:11:54.907-05:00INTERVIEW: Nebula Glow.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7E4ipMBmzdhbiZcYMKnFmkz92WBeBJ53PyV_u2KqMziY6NbcLQeX9JML2-5Xp-GxJADuo353jneW4LeeMi8YWVTnIaMUJQMxvGJbOqN0sNTnB-QjW_IPEiIfYYaMiHj-XUmx8j-h52z8/s1600/Picture5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7E4ipMBmzdhbiZcYMKnFmkz92WBeBJ53PyV_u2KqMziY6NbcLQeX9JML2-5Xp-GxJADuo353jneW4LeeMi8YWVTnIaMUJQMxvGJbOqN0sNTnB-QjW_IPEiIfYYaMiHj-XUmx8j-h52z8/s1600/Picture5.jpg" /></a></div>
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<div class="MsoNoSpacing">
<span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"><a href="https://nebulaglowswc.bandcamp.com/">Nebula Glow</a> is a Parisian quintet
consisting of members Valentina Esposito (guitar/vocals), Quentin Le Roch (guitar/vocals),
Manuel Devier (bass), Gregory Wojcik (lead guitar) and Antoine Lenest (drums). The
band released a <a href="https://nebulaglowswc.bandcamp.com/">debut self-titled
EP</a> in June via <a href="https://somewherecoldrecords.bandcamp.com/">Somewherecold
Records</a>, and the songs featured on it quickly impressed us. The gorgeous
textures, heavenly vocals and well-crafted compositions are absolutely stunning.
Do yourself a favor and check out the EP on Bandcamp – you won’t disappointed!
We hope you enjoy getting to know more about Nebula Glow in the interview
below.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">How and when was the band formed?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> The band formed in 2015. Quentin
(guitarist/singer) and Manuel (bass player) used to work together.
Coincidentally, they realised that they didn’t only share the same workplace
but musical tastes as well! Quentin was going through some hard times and the
music really helped with that. Then they start to look for musicians online and
Greg (lead guitarist) came along, then me (Valentina, guitarist/singer). Antoine
(drummer) came later; he’s our second drummer and he was a friend of friend.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Can you tell us what the band has been working on and what
you've got forthcoming in the near future (any new releases, tour, etc.)?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We just released our first EP but actually the
songs have been there for a pretty long time. Quentin is a very prolific
songwriter, he has tons of news songs on his hard drives! So, right now we’re working
on those, three of which are ready, and planning gigs. It’s cool to see how the
songwriting is evolving and we keep on learning how to work together. There’s five
of us -- plenty of ideas!</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> When we have enough<span style="mso-spacerun: yes;"> </span>material, it might be the time to hit the
studio once again!</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4077621038/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=2754427392/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://nebulaglowswc.bandcamp.com/album/nebula-glow">Nebula
Glow by Nebula Glow</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Do you consider your music to be part of the current
shoegaze/dream pop scene, or any scene? Defining one's sound by genre can be
tiresome, but do you feel that the band identifies closely with any genre? How
do you feel about genres in music, in a general sense?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We call ourselves Shoegaze, Post-Rock and
Alternative rock 90s as there are clear influences of all of these genres in
our songs and sound. We love and follow these scenes, but we don’t want to
repeat a working formula. We’d like to find our way within the spectrum of
things we like. We come from so many different musical backgrounds that it
would be strange for us as well.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> I am constantly listening to an eclectic array of
music, up to 10 hours a day! I mainly come from punk, metal, hardcore and I’ve
always been fan of Deftones. At the same time I grew up with The Cure, Bowie,
Queen...I listen as much Brit pop as black metal, as classical, as electronic. What
moves and influences me isn’t a particular genre, but a sensibility, a feeling,
a melody, when the message is clear and it gives the goosebumps.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> Manuel likes post hardcore and early math-rock,
Greg listens to a lot of post-rock, Antoine to jazz and me to riot grrrls,
songwriters, post punk and shoegaze. Genres help to give a name to music, help
people to select and not having to go through literally everything to find
something they like. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">What do you think of modern shoegaze/dream pop/psychedelia
artists, any favorites?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We’re big fans of Nothing, Holy Fawn, Hatchie,
Slow Crush and Cloakroom.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4077621038/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1957498379/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a
href="http://nebulaglowswc.bandcamp.com/album/nebula-glow">Nebula
Glow by Nebula Glow</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">What is the most important piece of gear for your sound? Any
particular guitars/pedals/amps that you prefer?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> My Jazzmasters + Twin Reverb + Big Muff + Shimmer</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> I’m in love with my Roland Jazz Chorus and my
brand new glittery Reverend guitar!</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> I think the most important piece of gear, the one
that helped us define our sound, is the Big Sky reverb from Strymon.<span style="mso-spacerun: yes;"> </span>It allowed Quentin and Greg to really sculpt
the aural landscape that the songs live in. For my part, I recently acquired a
Your and You’re from Montreal Assembly. It’s a killer oscillator fuzz! Even
Antoine like to experiment, bringing a second snare into his drumming. One of
the things I like is that we are all ready to experiment with new configurations,
new pedals, amps and such to find the right mood for each song.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">What is your process for recording your music? What gear
and/or software do you use? What would you recommend for others?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> First Quentin records his songs using Logic. He’s
a big geek composing every single instrument part and spending plenty of time
on it! He’s a volcano of ideas, we’re very lucky. Then I bring my vocals and
lyrics, working closely with Quentin to make sure to be faithful to the first
concept/ feeling of the song. Then everyone else studies their parts, modifying
sometimes and adding their bits. We then work all together refining everyone’s
part and the song structure. Every band has a different work dynamic I guess,
and I’ve seen so many bands getting all bitter about ego reasons. Having a band,
it’s teamwork.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> When I have “THE” idea I can even wake up in the
middle of the night and record a few notes on my Iphone. The day after I work
on it on Logic, only using the software’s effects at this very first stage.
Then I export the tracks to have them on Reaper, it’s an open source software and
it’s great for sharing.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We also recorded our EP by ourselves. It was
definitely hard work. It’s been mixed and mastered on ProTools by the great
people at Jonesy Agency who did a stellar job. They really took the time to
speak with us, listen to our references and our remarks on the mix.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNoSpacing">
<span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4077621038/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3641322794/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a
href="http://nebulaglowswc.bandcamp.com/album/nebula-glow">Nebula
Glow by Nebula Glow</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">When it comes to label releases versus DIY/bandcamp and the
like, what is your stance, if any?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We’re currently happily signed with Somewherecold
Records and Araki. Having someone with us who’s used to this is really
reassuring and helps to relieve a lot of pressure.</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> Before getting signed we had our DIY Bandcamp.
Everyone does this to be heard and reach to a greater audience. It’s a win-win
as it helps record labels to find the artists they want to promote.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Do you prefer vinyl, CD, cassette tape or mp3 format when
listening to music? Do you have any strong feelings toward any of them?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> Definitely vinyl! We’re nostalgic about cassette
tapes but we’re not there yet. Vinyl are beautiful, each vinyl has a story.
Quentin, Greg and me could spend tons of money of them. And then, as their friends
say, “They’ll eat soil for the rest of the month.” </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> We are all consumers of physical releases. Of
course, the music is at the heart of everything but to have an object as big as
a vinyl (compared to other formats) is something. The artwork really shines.
And tapes hit home for me. It’s listening to The Clash in the family car going
on vacation all over again. And the cheapness aspect is a plus for me.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">What artists (musicians or otherwise) have most influenced
your work?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> Johnny Marr (The Smiths) for his touch on the
guitar, Robert Smith (The Cure) for the melodies and the feelings, Billy Corgan
(Smashing Pumpkins) for the originality of his songs, Slowdive, Deftones for
the post rock atmospheres and prog evolutions.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> I’m a huge fan of the Louisville math-rock scene
and indie rock. I try to use that spirit in ways that work with our sound and
tracks.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Valentina:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> The early Cranberries (as some of you can
probably hear) have been a huge influence on me as I grew up listening to them.
I was 10 and I learned English, to play guitar and started to write songs and
sing. Then Radiohead, Smashing Pumpkins, Cure, MBV, PJ Harvey, Suzanne Vega and
riot grrrls. Recently, I’m having a big Kate Bush crush!</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4077621038/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=328858730/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://nebulaglowswc.bandcamp.com/album/nebula-glow">Nebula
Glow by Nebula Glow</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">What is your philosophy (on life), if any, that you live by?</span></b></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val: </span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">We don’t have a specific band philosophy apart
from doing what we like and what we believe in. Music is a blessing and there’s
no reason to “lie” in it. Otherwise, we all have personal ones...I guess that
mine is as easy as “Carpe diem”!</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Quentin:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> When things go well they won’t last. When things
go badly the worst is yet to come…So get ready for it!</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Val:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> Hellooo happiness :P</span></div>
<div class="MsoNoSpacing">
<b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;">Manuel:</span></b><span lang="fr" style="font-family: "georgia" , serif; font-size: 12.0pt;"> I think it would be try to be the best version of
yourself. We all have fairly different views on life and how to react to it. I
think all of it adds up to something better, just as all of our influences work
toward something more.</span></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-67324890614256241372019-07-22T14:11:00.000-05:002019-07-22T14:11:01.710-05:00ALBUM REVIEW: Submotile | Ghosts Fade on Skylines. Reviewed by Elizabeth Klisiewicz.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK6rIgmrxE7WfJsj3rkIqA59BlXM_3gTEW4dxfG9eNvZ0LWIgG2QTUzs2D4KEg3UjWW4RFtIoYwvw58VuMv9AaX-JuShUCl-Jtvp7vy2tO3c0ltNgiPO_L1xPRPIRtvhg9eJuCfV_3ZWY/s1600/Picture3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="504" data-original-width="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK6rIgmrxE7WfJsj3rkIqA59BlXM_3gTEW4dxfG9eNvZ0LWIgG2QTUzs2D4KEg3UjWW4RFtIoYwvw58VuMv9AaX-JuShUCl-Jtvp7vy2tO3c0ltNgiPO_L1xPRPIRtvhg9eJuCfV_3ZWY/s1600/Picture3.jpg" /></a></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
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<div align="center" class="MsoNoSpacing" style="text-align: center;">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Submotile - Ghosts Fade on
Skylines (Midsummer Madness)</span></b></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Reviewed by Elizabeth
Klisiewicz</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Dublin-based
<a href="https://submotile.com/">Submotile</a> is new on the scene, and their
full-length debut album is a real corker. The band is blessed with a plethora
of talent, including velvety-soft vocals that contrast with hard charging
melodies. The band consists of Michael Farren and Daniela Angione, an
Italian-Irish couple who call the Irish capital their home. Lest you think
these folks are throwbacks to the likes of Slowdive, MBV, or Chapterhouse,
think again. Sure, there are aural patterns that remind you of the giants that
came before, but these new leading lights are forging their own way in the
often muddled and crowded field of nu-gaze and every shade of dream pop under
the sun. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1424265432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1337251469/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://submotile.com/album/ghosts-fade-on-skylines-lp">Ghosts Fade On Skylines (LP) by Submotile</a></iframe>
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span><br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Lead
out track “Alba” has all the familiar touchpoints, but it’s a jagged haze that
goes down like a vanilla milkshake laced with razors. The hooks are indelible
and you’ll want to hear it again and again. “Amped and Faded” is aptly named,
as it kicks major ass but keeps the vocals corraled in the back of the mix. The
“amped” energy level is high and draws you right in and keeps you fixated on
their delightful sound. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1424265432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1270959847/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://submotile.com/album/ghosts-fade-on-skylines-lp">Ghosts
Fade On Skylines (LP) by Submotile</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The
joyous “Tramonto” shimmers and shines like the star-studded arms of the Milky
Way, surely a song for the great unknown cosmos that hovers behind
light-polluted skies. “Eastern Sky Sundown” races forward smoothly, a blissful
mesh of Swervedriver and The Wipers. Pounding drums pummel the senses, all
while layers of heavenly guitar float through, bolstered by sweet vocal lines.
Wonderful and memorable! </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1424265432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1275669457/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a
href="http://submotile.com/album/ghosts-fade-on-skylines-lp">Ghosts
Fade On Skylines (LP) by Submotile</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The
longform “Winter Storm Sequence” is a firm favorite of mine. It’s
introspective, tranquil, and quite possibly the best song in this suite. Its
understated and otherwordly beauty will surely enchant you and keep you coming
back for more. You can hear ambient and post rock hints, just before the heavy
‘gaze kicks into high gear. “Terra Lontana” uncoils like a viper, striking the
senses with its dichotomy of airy vocals and mind-bending guitar. “3am
Reveries” is another winner, with a huge hook that won’t fail to reel you in!
This one should really be a single and deserves major airplay. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1424265432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=2535190608/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a
href="http://submotile.com/album/ghosts-fade-on-skylines-lp">Ghosts
Fade On Skylines (LP) by Submotile</a></iframe></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">“For
a Moment I Forget You Were Gone” has all the shoegaze elements firmly in place,
and varies between bliss-induced vocals and a zillion layers of sound. Play
this one loud! The final “White Lights Ascending” reverts slightly to post-rock
with a side of dream pop. It’s a fine ending to a grand album, certainly one of
the best of 2019 and one you should absolutely not miss.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1424265432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1307528379/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://submotile.com/album/ghosts-fade-on-skylines-lp">Ghosts
Fade On Skylines (LP) by Submotile</a></iframe></span></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-82512272534962913912019-07-11T12:03:00.000-05:002019-07-11T12:14:51.001-05:00INTERVIEW: Roya and Matt of So Totally.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrmqZTlRZWsS6wCbtzXrVTHMjL64Uw5J3SnYg0gCZSKMzZ2Yhapi0-VZ0Iq88affzRCVMYe-KIIgPpQ5wzMp2xRJAoFiZIi-zi922CgvNbJFVnfJqpO61UjL65ecpiwgWKIA7JYNi1Ius/s1600/resized.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="373" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrmqZTlRZWsS6wCbtzXrVTHMjL64Uw5J3SnYg0gCZSKMzZ2Yhapi0-VZ0Iq88affzRCVMYe-KIIgPpQ5wzMp2xRJAoFiZIi-zi922CgvNbJFVnfJqpO61UjL65ecpiwgWKIA7JYNi1Ius/s1600/resized.jpg" /></a></div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
</div>
<div class="MsoNormal">
<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b><i>So Totally <a href="https://www.facebook.com/events/2856662481070982/">tape release party</a> *tonight* in Philadelphia.</i></b></span></div>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><br /></b></span></span>
<br />
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Rarely have we celebrated</b> a band’s debut full-length
as much as we have So Totally’s May 2019 release <i>in the shape of…</i>. The
Philadelphia, PA quartet, founded about four years ago, here delivers a fresh
new blast of classic nineties-style American shoegaze and noise rock, bringing
to mind Lilys, Swirlies, and Medicine, as well as MBV (check out “Vision”).
Furthermore, these nine songs will have no trouble holding their own in mixes
with such seminal projects. Look no further than So Totally for proof that it’s
still fully possible to work this kind of territory and come out with a
distinctive, exciting sound of your own.</span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=103209087/size=small/bgcol=333333/linkcol=0f91ff/track=3473593109/transparent=true/" style="border-style: initial; border-width: 0px; font-family: georgia, "times new roman", serif; height: 42px; text-align: center; width: 100%;"></iframe></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>In the shape of…</i> is rich and subtle enough to listen
to day after day and continuously yield new rewards. Its compact thirty-two
minutes pass too quickly while nonetheless leaving the sense of a well-wrought,
completed whole, solidly put together yet generous with the textural bristle
and surges of squall essential to this kind of music.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br />
So Totally first appeared on the radar with the archly titled December, 2016
digital and cassette EP <a href="https://sototally.bandcamp.com/album/a-cheap-close-up-of-heaven-2"><i>a
cheap close-up of heaven</i></a>. The ensemble consists of <a href="https://royaphl.bandcamp.com/album/tower">Roya Weidman</a> and Matt
Arbiz on vocals and guitars—offering the kind of male-female vocal interplay so
exquisitely employed among the bands mentioned above—with Ryan Wildsmith on
bass and Joe McLaughlin on drums.<o:p></o:p></span></span></div>
<div class="MsoNormal">
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>In the shape of... </i>is <a href="https://sototally.bandcamp.com/album/in-the-shape-of">available digitally</a> through
Bandcamp. The cassette edition, released today, will be available only at the
band's shows until <a href="https://citruscityrecords.bandcamp.com/">Citrus
City Records</a> offers it online sometime shortly before the end of the
month.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Huge thanks to Roya and Matt for the time, effort, and
thoughtfulness involved in providing the following interview.</span></span></div>
</div>
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<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt;"><span style="font-family: "times new roman";">▲ </span></span><span style="font-family: "times new roman"; font-size: 16px;">▲ </span><span style="font-family: "times new roman"; font-size: 16px;">▲</span></div>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLz7eMw3p-pwaW_aq3DEsc9-9rClCuU0ocp9w3ZaqdDhwHW6VYXxBKmR1rCqjbRJtB1DQQX7xzPVyCaPzNFIHOtUUBUbwYyHUaLlj-rfet9U8hmsze9lk4J6-74pK3Svc5ZvGi1hMPW2E/s1600/IMG_9186.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1150" data-original-width="1600" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLz7eMw3p-pwaW_aq3DEsc9-9rClCuU0ocp9w3ZaqdDhwHW6VYXxBKmR1rCqjbRJtB1DQQX7xzPVyCaPzNFIHOtUUBUbwYyHUaLlj-rfet9U8hmsze9lk4J6-74pK3Svc5ZvGi1hMPW2E/s320/IMG_9186.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "times new roman"; font-size: 12pt;">▲ ▲ ▲</span><span style="font-family: "times new roman"; font-size: 12pt;"> </span><span style="font-family: "times new roman"; font-size: 12pt;">▲ ▲ ▲</span></span></span></div>
</div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>How and when was the band formed?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> The band started in 2015 as a three-piece. Roya and I
booked a full band gig without having a drummer.<span style="mso-spacerun: yes;"> </span>Joe and I were working together at the time
and had a lot of overlapping music taste so he agreed to fill in for a few
shows. Luckily it became a permanent thing. When we brought Ryan in on bass, we
had played in previous bands together so it felt like a no-brainer. The
creative chemistry was really good right from the start.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Can you tell us what the band has been working on and what
you've got forthcoming in the near future (new releases, tour, etc.)?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> We digitally self-released our first full length <i>in the shape
of…</i> on May 3rd. It took very long (over a year) to finish, but we’re happy it’s
finally out!! <a href="https://www.facebook.com/citruscityrecords/">Citrus City
Records</a>, who co-released our EP with <a href="http://www.forgedartifacts.com/">Forged Artifacts</a>, has done tapes for this record too. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><br /></b></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> We’ll be having a tape release show at <a href="http://www.johnnybrendas.com/e/so-totally-62268873878">Johnny Brenda’s</a>
in Philly on Thursday, July 11th [<i>Tonight!-Ed.</i>]. We’re hoping to have new music recorded and tour plans
set by end of summer. There are definitely things in the works.</span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=103209087/size=small/bgcol=333333/linkcol=0f91ff/track=74273022/transparent=true/" style="border-style: initial; border-width: 0px; font-family: georgia, "times new roman", serif; height: 42px; text-align: center; width: 100%;"></iframe><br />
<div style="text-align: center;">
<span style="line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
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<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Do you consider your music to be part of the current
shoegaze/dream pop scene, or any scene? Defining one's sound by genre can be
tiresome, but do you feel that the band identifies closely with any genre? How
do you feel about genres in music, in a general sense?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> I think we have our shoegaze moments. Someone
referred to us as heavy reverb’d indie recently, which sounds right. I don't
think we directly identify with any one genre. It's more about blending
whatever influences we have at the moment, not saying no to ideas, etc.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What do you think of modern shoegaze/dream pop/psychedelia
artists, any favorites?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> There are a lot of good bands making music right now:
Ringo Deathstarr, Froth, Ulrika Spacek.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> Crumb, Stove, Melody’s Echo Chamber, plenty more that
I’m forgetting right now.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What is the most important piece of gear for your sound? Any
particular guitars/pedals/amps that you prefer?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> I got <a href="https://www.curtisnovak.com/product-category/guitar/gold-foil/">Curtis Novak
Gold Foil pickups</a> installed in my guitar (<a href="https://shop.fender.com/en-US/squier-products/j-mascis-jazzmaster/0371060541.html">J
Mascis Jazzmaster</a>) and they’re really clear/beautiful! The <a href="https://www.ehx.com/products/cathedral">Electro-Harmonix Cathedral reverb</a>
was the first pedal I ever got, Matt actually got it for me! But it’s still the
reverb I use, it has a lot of options and makes everything sound full. <o:p></o:p></span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> My Sunn Concert Lead is the backbone of my rig. It’s
the loudest and cleanest amp. Effect-wise, they all contribute to our sound so
it's hard to pick just one. Definitely my <a href="https://www.vintageguitar.com/3050/arbiter-fuzz-face-reissue/">nineties
reissue Fuzz Face</a>. I’ve been through a bunch of fuzzes but this one seems
to move the most air. The <a href="https://www.eventideaudio.com/products/stompboxes/reverb/space">Eventide
Space reverb</a> is also such a sick pedal. Makes everything sound huge.<o:p></o:p></span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What is your process for recording your music? What gear
and/or software do you use? What would you recommend for others?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> Most of our recording is done in our apartment. We
live above an art gallery that is only open a few times a week so when we want
to be loud, we can be. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> In the past, we used a <a href="https://tascam.com/us/product/us-16x08/top">Tascam 16x08 interface</a> to
track everything into GarageBand on an old 2012 Macbook, which all had their
limitations. Since finishing the record, we’ve upgraded to a <a href="https://focusrite.com/thunderbolt-audio-interface/clarett/clarett-8prex">Focusrite
Clarett 8preX</a> and gave the laptop an overhaul. On <i>in the shape of...</i>, we
had the opportunity to record drums and bass in a studio with our friends
Chance and Hank and they sound killer.<span style="mso-spacerun: yes;">
</span>We ran the drums through a Neve preamp and distorted the hell out of
them, something we never could do at the apartment. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> The most important thing is feeling comfortable and
being able to know when to push and “perfect” something or when to let it be.
Have a vision going in and make it happen.<o:p></o:p></span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=228019258/size=small/bgcol=333333/linkcol=0f91ff/track=1835096792/transparent=true/" style="border-style: initial; border-width: 0px; font-family: georgia, "times new roman", serif; height: 42px; text-align: center; width: 100%;"></iframe><br />
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>When it comes to label releases versus DIY/Bandcamp and the
like, what is your stance, if any?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> Self-releasing music is all we’ve done with Totally
but I think the overall experience with releasing through a label is that there
is a lot of waiting around. Label schedules can put you out six plus months
from recordings. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> We aren’t anti-label by any means but we take a long
time to create what we make and for this last release we wanted to do it at our
own pace. By the time we finish, we want to put it out as soon as possible.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Do you prefer vinyl, CD, cassette tape or MP3 format when
listening to music? Do you have any strong feelings toward any of them?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> As far as sound goes, I think we all enjoy a good
low-end presence and that’s hard to get with cassettes and vinyl. I guess it
depends on how you’re listening. As long as you can listen to it loudly, I
don't think it matters.</span></span><br />
<br />
<div class="MsoNormalCxSpFirst">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: Georgia, Times New Roman, serif;"><b>What artists (musicians or otherwise) have most
influenced your work?</b></span></span><b style="font-family: Georgia, "Times New Roman", serif; font-size: 12pt;">Roya:</b><span style="font-family: Georgia, "Times New Roman", serif; font-size: 12pt;"> Some of our all-time faves are bands
that can fill space with big textured sounds. Swirlies were always good for
that, and the Pixies for weird transitions and melodies.</span></div>
<br /></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Can you tell us a little about what you are currently into
(books, films, art, bands, etc.)?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> Early Gregg Araki movies like <i>Doom Generation</i>,
<i>Nowhere</i>. They’re all super pleasant visually and have great soundtracks
(Medicine, Lush, Catherine Wheel, The Jesus and Mary Chain). <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> Anything sensory overload. Old movies before
everything was CGI have the best visuals, anything horror or weird mixed media.</span></span><br />
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;"><br /></b>
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;">If you had to choose one track that was the ultimate
definition of your sound, which would it be and why?</b></div>
<div class="MsoNormal">
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Matt:</b> This question is hard! I think we both feel like “Pluto”
encompasses our sound pretty well. A lot of our sound is created around merging
of our different songwriting styles and what we bring to the table when the
songs are being written. Pluto is one of those ones that came together pretty quickly
and has pieces of everyone’s style in it. It’s always cool when that happens!</span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
</div>
<div class="MsoNormal">
<div style="text-align: center;">
<span style="line-height: 115%;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=103209087/size=small/bgcol=333333/linkcol=0f91ff/track=312250353/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://sototally.bandcamp.com/album/in-the-shape-of">in the shape of... by So Totally</a></iframe></span></div>
<span style="font-size: 12pt; line-height: 115%;"><b style="font-family: georgia, "times new roman", serif; font-size: 12pt;"><br /></b></span>
<span style="font-size: 12pt; line-height: 115%;"><b style="font-family: georgia, "times new roman", serif; font-size: 12pt;">Can you tell us a little about the band’s song writing
process?</b></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Roya:</b> Usually Matt or I write a basic structure for the song
and bring it to each other to start piecing together ideas. Sometimes I’ll sit
on lyrics for a long time and apply them to songs as we go but other times the
whole song comes at once, so it’s hard to say. But we usually just go to
practice with some ideas and everyone sorta goes at it ‘til we work it out! It’s
fun.</span></span><br />
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>Photographs by Maureen Murphy</i>.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br />
<div class="MsoNormalCxSpFirst" style="line-height: normal;">
<br /></div>
<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">So Totally on:</span></div>
<div style="text-align: center;">
<a href="https://www.facebook.com/sototallyinlove/"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"></span></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><a href="https://www.facebook.com/sototallyinlove/">Facebook</a> | <a href="https://www.instagram.com/so_totally/">Instagram</a> | <a href="https://sototally.bandcamp.com/">Bandcamp</a></span></div>
</div>
<br />When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-78370957847311770412019-07-08T13:36:00.002-05:002019-07-08T13:36:59.307-05:00INTERVIEW: Astragal.<!--[if gte mso 9]><xml>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><a href="https://astragal.bandcamp.com/">Astragal</a>
is a dream pop trio from Houston, Texas comprised of members Jimmy Bent (vocals/guitar),
David Sosa (bass) and Sam Enkelmann (drums). Houston’s shoegaze/dream pop scene
has bloomed vibrantly in the past couple of years, and Astragal has certainly played an important role in fostering that growth. The band’s nostalgic dream pop sound, shot through with threads
of post-punk and awash in plenty of reverb, pays homage to their influences
while cultivating a wholly unique spark that belongs to Astragal alone. The
four tracks on their most recent release, <a href="https://astragal.bandcamp.com/album/ep-ii"><i>EP II</i></a>, feel both familiar and
fresh, classic yet new. Catchy bass lines, jangly guitar and charming vocals create
a perfectly woven tapestry of pitch-perfect dream pop that is, quite frankly, impossible
to resist. We hope you’ll take a scroll through the interview below and enjoy
learning more about Astragal.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">How
and when was the band formed?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Astragal
was formed during the fall of 2016 out of pure luck and a couple of
compliments. Sam, the drummer of Astragal and Jimmy, the singer and guitarist,
met one another at a Beach House show during the <i>Depression Cherry</i> tour. Sam
wore a Sung Tongs era Animal Collective shirt and Jimmy wore a shirt that
resembled the artwork on the cover of Beach House’s <i>Bloom</i>. They passed along
sweet nothings to one another at the show and thought they would never see each
other again. It was at a DIIV show that Sam and Jimmy randomly reconnected and
decided to meet up with David, the bass player, who Sam met on Soundcloud and
Craigslist.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Can
you tell us what the band has been working on and what you've got forthcoming
in the near future (new releases, tour, etc.)?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">After
releasing our latest work, <i>EP II</i>, we have decided to get back into
finishing the writing for our debut LP. As a band that’s been together for
about three years now, releasing an album has been a long time coming. That
being said, we feel like we know ourselves a lot better now, both personally
and musically, than we did when we first met. The time to write has never been
better. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1528344351/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/artwork=small/track=2699675408/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://astragal.bandcamp.com/album/ep-ii">EP II by astragal</a></iframe>
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">At
first we wanted to somehow mix jazz and janglepop together. A Jaco
Pastorius/Gilberto Gil/The Clientele/The Field Mice/My Bloody Valentine hybrid.
While this was an enjoyable and rather curious experience, we found that we
weren’t representing our genuine selves as songwriters.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">We
took a trip to North Carolina to write, practice, and most importantly, get to
know each other better. We came out the other end with a lot of confidence,
understanding, and introspection. We now closely identify with bands like
Corridor, Preoccupations, The Ocean Blue, and Motorama and have a strong
attraction to post-punk, new wave, and krautrock. We still find it important to
focus on things from our first songs such as strange chords, time signatures,
and fun little dynamics.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
do you think of modern shoegaze/dream pop/psychedelia artists, any favorites?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Astragal
has a strong love for what is happening in modern shoegaze, post-punk, dream pop,
psychedelia, and indie music as a whole. Living in the time we are living in
now with the technology we have has opened our ears to genres we never knew
existed. From obscure shoegaze bands like The Suncharms to unusual music scenes
like the Volta jazz scene in Upper Volta, we have been able to rediscover
sounds that would have never made it to us otherwise. A few modern favorites of
ours include those Richmond, Virginia homies Camp Howard, Galveston Island’s
very own El Lago, Houston newcomers Barkada, our doppelgangers Glaze, our
favorite Anime rockers Rei Clone, Froth, H. Grimace, Chris Cohen, NOLA’s Scenic
World, and of course our eternal buds and kings of chorus, Small Chair. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is the most important piece of gear for your sound? Any particular guitars/pedals/amps
that you prefer?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">A
key component of our sound is the interaction between our guitarist’s Fender
Mustang and our bassist’s Rickenbacker. The punch, precision, grit, and clean
tones of both of these instruments just work so well together. Our beloved
JC-120 guitar amp and the latest addition of a Sunn 300T bass head are also two
staples of our sound.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1528344351/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/artwork=small/track=584402923/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://astragal.bandcamp.com/album/ep-ii">EP II by astragal</a></iframe>
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is your process for recording your music? What gear and/or software do you use?
What would you recommend for others?</span></b><span style="font-family: "georgia" , serif; font-size: 12.0pt;"></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Lately
we have been recording with two of our fine friends from Denton, Texas, Nathan and
Blake of Elevator Music. Both of them have excellent ears, musical backgrounds,
and recording knowledge. Any song we have taken to them almost always
transforms into exactly what we want. They definitely understand how to
cultivate an atmosphere where people can voice literally any idea they have no
matter how small or grandiose. Our advice for recording is to know exactly what
you want before going into a studio and be equally prepared to throw it all
away for something even more spectacular. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">How
do you feel about the state of the music industry today? There is no doubt a
massive change underway. How do you see it and do you feel it’s positive at
all?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">We
honestly don’t pay much attention to the music industry at large or worry too
much about what goes on in our scene. We have found that keeping your head
down, while it may be considered rude, is the best way to have any sense of
mental well-being while being in a band. Of course we support our musical
friends, local artists that work in media outside of music, and the multitude
of great record shops and venues in Houston, but there is little to be said for
worrying too much about what may happen to all of it. Things change and we have
to worry about our individual lives before letting music industry standards or
any type of scene define what we worry about. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">In
regards to the music industry at large, it’s quite terrifying sometimes. We
have met some of the most genuine and sadly some of the most ingenuine people
from playing music. It’s often an atmosphere plagued by social climbing and
personal gain. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The
positives that are present in the music industry are people’s willingness to
support smaller bands and be more open to new sounds. People also want to own
the music now by buying physical copies, which is fantastic. There is also a
larger concentration on mental health in the music industry right now, an issue
that has really left an impact on some of our closest musical peers. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Take
care of each other before the music. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">When
it comes to label releases versus DIY/Bandcamp and the like, what is your
stance, if any? </span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I
think it comes down to personal preference and what is best for you and your
music. A label and DIY/Bandcamp possess different channels for moving music,
although sometimes they may meet up and intertwine. For us, starting with <a href="http://www.misschampagnerecords.com/">Miss Champagne</a> and <a href="https://wallflowerrecords.org/">Wallflower Records</a> (both Houston
labels) has been a fantastic experience. We are definitely open to moving
forward with a more nationally-based label if the stars align. But if not, we
are always just happy to be making music together. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1528344351/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/artwork=small/track=3251742328/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://astragal.bandcamp.com/album/ep-ii">EP II by astragal</a></iframe>
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do
you prefer vinyl, CD, cassette tape or MP3 format when listening to music? Do
you have any strong feelings toward any of them?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">We
all have a strong preference for vinyl but great music can be found on any type
of format. As a musician it’s important to not discount any format. Your next
inspiration could be on an old cassette at a secondhand store or a CD
collecting dust in your parents’ car. For us, it all comes down to the music
itself. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
artists (musicians or otherwise) have most influenced your work?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Jazz
and soul artists have made us stronger players and post-punk has made us more
introspective human beings. It’s a combination we are forever grateful for.
Some artists we are inspired by at the moment include Cortex, Grant Green,
Froth, Broadcast, Pete Seeger, Sam Prekop, Motorama, Life Without Buildings,
Herbie Mann, The Clientele, OMD, Chad Van Galen, Corridor, Lithics, Mourn,
Ryley Walker, Pat Metheny, Stanley Clarke, Roy Ayers, and Steve Reich. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Can
you tell us a little about what you are currently into (books, films, art,
bands, etc.)?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Some
of our favorite movies include Old Boy, Charade, Breathless, House, Good
Morning, Cashback, Lost in Translation, Alfred Hitchcock's Rope, and our all
time favorite and least favorite movie is <a href="https://en.wikipedia.org/wiki/Street_Dreams_(film)">Street Dreams</a>. (We
simultaneously love and hate it—it’s such a cheesy movie!) Our guitarist and
vocalist, Jimmy, is addicted to Haruki Murakami books. We all really like
abstract expressionism and anything <a href="https://en.wikipedia.org/wiki/Suprematism">suprematic</a> in style.
Matisse, Fan Ho, and Jacob Lawrence are huge inspirations to Jimmy. Our bassist,
David, makes fantastic collages and is really into contemporary art. Our
drummer, Sammy, has the best taste in B movies. Of course our favorite book of
all time is <a href="https://www.goodreads.com/book/show/16241803-astragal">Astragal</a>
by Albertine Sarrazin. Kikagaku Moyo has been one band that we are all equally
psyched on at the moment.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1528344351/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/artwork=small/track=2562729752/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://astragal.bandcamp.com/album/ep-ii">EP II by astragal</a></iframe>
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Can
you tell us a little about the band’s song writing process?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Our
writing process is strictly based on how we all feel. We often practice on Thursday
and if for whatever reason we aren’t feeling it then we don’t practice at all.
If we do end up with that feeling and need to play music then we go ahead and
do it. Feelings are the ultimate starting point for us. Nothing is forced.
That’s really the key to a healthy songwriting process. If we get bored and
can’t write or practice then we just jam incoherently.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">No
one person brings anything specific to the writing part. We all just meet up
and create the songs together. When we do land on a riff, bass line, or drum
part we just see where it takes us and if doesn’t take us anywhere then we
don’t bother with it and just move on. We often create the framework for a
whole song on the same day the first part is written. We make it as spontaneous
as possible.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is your philosophy (on life), if any, that you live by?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Astragal
doesn’t have a philosophy or stand for anything. Sam, David, and Jimmy each
have their own philosophies on life that intertwine, coalesce, and contrast one
another. The late great Woody Guthrie can best sum up all of our philosophies:
“Take it easy, but take it.” </span></div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-12962365461388169592019-05-31T13:48:00.000-05:002019-05-31T13:48:03.903-05:00VIDEO PREMIERE: Blist Her | TV Guide to Life.<div class="separator" style="clear: both; text-align: center;">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Iowa-based grunge gaze act <a href="https://blisther.bandcamp.com/">Blist Her</a> consists of songwriter,
vocalist and guitarist, Brandon Boyd, along with Dakota Ruble, who contributes additional
layers of guitar to their sound. The project appeared in early 2018 and has
blazed its way to present day by deftly combining grunge and darker shoegaze
elements with a visual aesthetic based on vintage elements like tube TVs and
VHS tapes. </span></div>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">We’re excited to premiere the video for their
newest single, “TV Guide to Life”, which is a pure and perfect representation of
what their sound and image are all about. In the video, the duo delivers the
heavy, woozy single while standing in front of a wall of glowing televisions. VHS
static, dramatic angles, and an all-encompassing feeling of dread and detachment
dominate the video. It was 100% directed and shot by the band on a zero-dollar
budget, who are firm believers in DIY ethics.</span></div>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">According to project leader Brandon Boyd:</span></div>
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"The song is about my generation growing up sitting in front of the TV,
watching Nickelodeon, and learning things from cartoons instead of our parents,
who thought it would be easier for TV to raise us rather than themselves.
That's why I think there's so much nostalgia for the 90s right now -- we wanna
live in the world where we were happy just watching Rugrats and eating
Lunchables." </span></div>
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<br /><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/frM3Win05lM" width="560"></iframe>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Find
Blist Her on:</span></div>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><a href="https://blisther.bandcamp.com/album/tv-guide-to-life">Bandcamp</a></span></div>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><a href="https://www.facebook.com/BlistHerBand/">Facebook</a></span></div>
<div style="text-align: center;">
<span style="font-family: "georgia" , serif; font-size: 12.0pt; line-height: 107%;"><a href="https://www.instagram.com/blistherband/">Instagram</a></span></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-65466294298623763362019-05-14T11:02:00.001-05:002019-05-14T11:05:01.553-05:00ALBUM REVIEW: Death and Vanilla | Are You a Dreamer? Reviewed by Elizabeth Klisiewicz<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6yjm-PJQn-uwuxDuQrqy98dyfxOcQEcRI6Uap8fEDhrDkq-hW2ciMzsqe9ZbmoW8sU5-w4esFQ8dkR8UO1k20noAsVr8m-DwNew3ZfcgyAa8L5bWmFjdz8t3IY6jeaAj3_d6kURox3WL1/s1600/header+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="274" data-original-width="273" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6yjm-PJQn-uwuxDuQrqy98dyfxOcQEcRI6Uap8fEDhrDkq-hW2ciMzsqe9ZbmoW8sU5-w4esFQ8dkR8UO1k20noAsVr8m-DwNew3ZfcgyAa8L5bWmFjdz8t3IY6jeaAj3_d6kURox3WL1/s400/header+2.jpg" width="398" /></a></div>
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<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Death
and Vanilla - <i style="mso-bidi-font-style: normal;">Are You a Dreamer</i>?
(Fire Records)</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Reviewed
by Elizabeth Klisiewicz</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I’ve long admired the vintage dream pop conjured
up by Malmo, Sweden’s talented trio, <a href="https://deathandvanillamusic.bandcamp.com/">Death and Vanilla</a>.
Marleen Nilsson, Magnus Bodin and Anders Hansson are ‘dreamers, antiquarians,
and music obsessed individuals’ whose music is redolent with mystery and
intrigue. The group has scored several soundtracks, a process which helped
influence the dreamlike euphoria offered up by added mellotron and electric
guitar. They expanded their sound with bass and drums and the resulting tunes
are longer, lusher, and more spellbinding. </span><br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><br /></span></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2042391048/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3670624500/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://deathandvanillamusic.bandcamp.com/album/are-you-a-dreamer">Are You A Dreamer? by Death & Vanilla</a></iframe>
<br />
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<br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">‘A Flaw in the Iris’ is the opening single, and
has the hushed melancholy of previous endeavors, reminding one of Thievery
Corporation and Air. Marleen’s lovely voice seamlessly winds through the
musical tapestry that shrouds this tune. Cool and beautiful! “Let’s Never Leave
Here” is deceptively soothing. As you take in its calming melody, the lyric
makes your ears perk up: <i style="mso-bidi-font-style: normal;">Come, and stay,
magic is here Inside, wanna dissolve in time, Looking through glass Divine,
let's never leave here</i>. It’s the perfect lyrical analogy to the dreamy
escape of the accompanying music. There are jewel-like facets studding this
song, much like seeing the outrageous green shades of spring after the depressing
drab of winter.</span></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2042391048/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=1413604038/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://deathandvanillamusic.bandcamp.com/album/are-you-a-dreamer">Are You A Dreamer? by Death & Vanilla</a></iframe>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">“Mercier” is equally gorgeous and church-like,
emerging from a quiet, sacred place to immerse you in its dreamlike but
energetic swirls. The group has a firmer hold on strong melodies that stay with
you rather than slipping out of your grasp. It definitely has all the earmarks
of a follow-up single. Really terrific work! “Eye Bath” is trip hop at its
best, laced with a lysergic overlay. Marleen’s elegant, chilled out voice
meshes perfectly with the main melodic line. The strength and experience of
their soundtrack work is reflected here. I also like the slightly exotic
percussion floating in the backdrop. “The Hum” burbles along pleasantly, a
perfectly named song that easily captures a listener’s fancy. Marleen murmurs
behind her main vocals, and the effect is mesmerizing.</span><br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2042391048/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3951410648/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://deathandvanillamusic.bandcamp.com/album/are-you-a-dreamer">Are You A Dreamer? by Death & Vanilla</a></iframe>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">“Nothing is Real” is the real show piece on an
already amazing record. It captures all the strongest elements in Death and
Vanilla’s music: the dreamy, haunting essence that pervades a typical
listener’s experience, Marleen’s sultry vocals, pretty snatches of keyboard,
and the long ago feel evoked by the vintage instruments put into play.
Wonderful and stunning all around! “Vespertine” was an early favorite of mine,
awash with a childlike quality, infusing you in a sonic daydream you never want
to leave.</span><br />
</div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2042391048/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=2254162620/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://deathandvanillamusic.bandcamp.com/album/are-you-a-dreamer">Are You A Dreamer? by Death & Vanilla</a></iframe>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Finally, “Wallpaper Pattern” is a multihued
masterpiece, the miniature soundtrack to a movie not yet made. In summary,
Death and Vanilla have evolved into one of the strongest purveyors of vintage
dream pop and Kosmische that has graced my ears in the past decade. <i style="mso-bidi-font-style: normal;"><a href="https://deathandvanillamusic.bandcamp.com/album/are-you-a-dreamer">Are
You a Dreamer</a></i>? Is absolutely essential listening for all lovers of
great dream pop.</span></div>
</div>
</div>
</div>
</div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-72251998930372984862019-05-09T23:42:00.000-05:002019-05-09T15:02:33.036-05:00Double Song Premiere: Modern Time Machines' 515 + Voices Carry.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXxRWtoNFJuDhgNN4L9W5cmHU_WSm0sejkgjur-q-X06snUB97yQLDuEi-Sy-rzcAhkFxNDHzMeHCMRUKCJlicVwfvm2EA1MD6GIB2WbYy1SoyBstEDeo_r76iJVPEgI2w1ojWW4m67zA/s1600/Capture+2+resized.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="365" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXxRWtoNFJuDhgNN4L9W5cmHU_WSm0sejkgjur-q-X06snUB97yQLDuEi-Sy-rzcAhkFxNDHzMeHCMRUKCJlicVwfvm2EA1MD6GIB2WbYy1SoyBstEDeo_r76iJVPEgI2w1ojWW4m67zA/s1600/Capture+2+resized.jpg" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>We decided to premiere</b> both parts of the new two-track single
from L.A.’s <a href="http://moderntimemachines.com/">Modern Time Machines</a> simultaneously.
The two pieces, drawn from worthy vault material of about eighteen months' vintage, complement and complete each other so aptly—the sweep of arc
between them offering a sense of the project’s total range and depth—that we
couldn’t choose between them.<o:p></o:p></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2035501905/size=large/bgcol=333333/linkcol=e99708/tracklist=false/artwork=small/track=66015063/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://moderntimemachines.bandcamp.com/album/voices-carry-515">Voices Carry/515 by Modern Time Machines</a></iframe></span></div>
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<span style="font-size: 12pt; line-height: 17.12px;"><span style="font-family: "georgia" , "times new roman" , serif;">First comes a cover of <a href="https://www.youtube.com/watch?v=zUKXhRikfPw">80s synth pop anthem “Voices Carry”</a> by American band ‘Til Tuesday. The chorus—in both the original and this cover—is tuneful and catchy almost to the point of jubilation even though the lyrics recount having a dubious, repressive partner. Here Modern Times Machines preserve the song’s accessibility while thickening its textures according to dream pop sensibility.<o:p></o:p></span></span></div>
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<span style="line-height: 17.12px;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2035501905/size=large/bgcol=333333/linkcol=e99708/tracklist=false/artwork=small/track=2144967910/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://moderntimemachines.bandcamp.com/album/voices-carry-515">Voices Carry/515 by Modern Time Machines</a></iframe></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">The chord progressions that structure “515”, composed by the band's former guitarist
Justin Bond, contribute to a tension that never climaxes or resolves, instead
taking hold of listeners’ attention and sustaining itself steadily throughout, as if investing
us in a suspenseful situation. Lovely textures and a feeling of flow contrast this
tautness and emolliate it. As the song ends we want to hear another in the way
we might if listening to a compelling EP or album.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">We’re pleased to present this matched set; many thanks to guitarist, vocalist, and lyricist Ben
Golomb for setting up this opportunity. The songs were tracked to tape in producer <a href="https://www.recordoutlet.com/">KC Staples</a>’
Thousand Oaks, California garage studio and feature, in addition to Ben and Justin, bassist/vocalist
Nadia-Terese Laguna Franks and drummer Neil Johnson. Both tracks are <a href="https://moderntimemachines.bandcamp.com/">available for free</a> on Bandcamp.<o:p></o:p></span></span><br />
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">And don't miss the <a href="https://moderntimemachines.bandcamp.com/album/malaise-for-days">cassette maxi-single</a> of Modern Time Machines' April track release, "Malaise for Days."</span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Modern Time Machines on:<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://www.facebook.com/moderntimemachines/">Facebook</a>
| <a href="https://soundcloud.com/moderntimemachines">Soundcloud</a> | <a href="https://twitter.com/MTMmusic">Twitter</a> | <a href="https://www.youtube.com/user/moderntimemachines">YouTube</a> | <a href="https://www.instagram.com/moderntimemachines/">Instagram</a></span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
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When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-88260837689958836402019-05-08T19:48:00.000-05:002019-05-08T19:48:12.826-05:00TONIGHT! WTSH airs on DKFM @ 10p E/7p P. <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0rtHoXp-PMon_wlek03cnetAdH4xvQ9kRFwRm2kJwpQqiGP9QdyHb0t-KP1FGWOz5sHu_YjcM8F0PaqzVffdFT-Sdj9THAvBCZ1vsL1DuEpoZE9g0kbOrhhpqks2pBFa0Sv8G5QdU7sy/s1600/Picture1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="404" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0rtHoXp-PMon_wlek03cnetAdH4xvQ9kRFwRm2kJwpQqiGP9QdyHb0t-KP1FGWOz5sHu_YjcM8F0PaqzVffdFT-Sdj9THAvBCZ1vsL1DuEpoZE9g0kbOrhhpqks2pBFa0Sv8G5QdU7sy/s1600/Picture1.png" /></a></div>
<br />
<div style="text-align: center;">
<span style="font-size: large;">A new episode of WTSH catapults into the atmosphere in less than 2 hours! Tonight I'm premiering a very cool single by <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=761003570604968&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARBDeFEQas4VW7eNyWKOsF7sYNE3nchdOe1i-RtzztsCR-fIlsU0H25mkJ6Zhbl9NkFmNKaj3U15MRSo%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfauFiICfnBoU6Z4Bjs5Ax8HNjV1xjMJdHNmfNxj_CUqCFf3pPGw1-jInR0FeBgzbi43U3f2vaJZu1NUP23663km" href="https://www.facebook.com/blue.unit.mke/?__tn__=K-R&eid=ARBDeFEQas4VW7eNyWKOsF7sYNE3nchdOe1i-RtzztsCR-fIlsU0H25mkJ6Zhbl9NkFmNKaj3U15MRSo&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">blue unit</a> + spinning new tunes from <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1993147041006517&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCdUDYSXC_3O-ccUZW-PPqcBLput_pxglwMvZNfRuurHuLd9YSnCniD2HN9YjrVdevvlWoiNz9HAjBh%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfYIW7_RIrJwgqa7qrfr5SQyxKAVNJ-e-lMTLCNMVhdQLRgCm7h5M49evOvKk04bnlwctEO4ELkinoJbf3YzNjS5" href="https://www.facebook.com/submotile/?__tn__=K-R&eid=ARCdUDYSXC_3O-ccUZW-PPqcBLput_pxglwMvZNfRuurHuLd9YSnCniD2HN9YjrVdevvlWoiNz9HAjBh&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Submotile</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1954664354594177&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCKnx6S_xt0jS5QwKQW017554XCj7VKY9_FU_G5lacG6DPqRwUwlHZ-L-a53QAai1HE_igM8nzv_0OA%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfZ6gYJiGb8f-x7jcQuz1oc_lQ39nIkKhZWUtQyPhy3krULwxA5c7msfNnpzw4iEwnsWWpaF7ba8EczXCfe5WpMc" href="https://www.facebook.com/Spunsugar-1954664354594177/?__tn__=K-R&eid=ARCKnx6S_xt0jS5QwKQW017554XCj7VKY9_FU_G5lacG6DPqRwUwlHZ-L-a53QAai1HE_igM8nzv_0OA&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Spunsugar</a> (pictured), <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=258367757670312&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCCMZisVX05OLI9gFEo5JikqDyLWWsiBdxW4Uav8GNSZzfFWCber0yIaWPWVj2S8joHtd197-6AS8_V%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfaDiKqAp9awa7Xu942VezrSNnDPb7AC_w5gxtlFjCvLxnpdGB9ZK8ar8HUZWt-gXVMBKsPVWAH4IiTQ_bXr6MA8" href="https://www.facebook.com/spotlightsband/?__tn__=K-R&eid=ARCCMZisVX05OLI9gFEo5JikqDyLWWsiBdxW4Uav8GNSZzfFWCber0yIaWPWVj2S8joHtd197-6AS8_V&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Spotlights</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=300099650175251&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARD6-7XCLZvY-V-u-t0AjAcG56LfuX4MgheE1xImNXk9ksybQSihxZqCb-V7ASAEkfzB5meFO96qJ1YE%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfbWnKgFNvBODwwgpDvhHlcb9pfoNV5rCln407hwzuDofdGnn1-n-qZmlj_gbDT2xL_tqLZVIyEJ2pEV7b6gJrt3" href="https://www.facebook.com/agentbla/?__tn__=K-R&eid=ARD6-7XCLZvY-V-u-t0AjAcG56LfuX4MgheE1xImNXk9ksybQSihxZqCb-V7ASAEkfzB5meFO96qJ1YE&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Agent blå</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1499185850356181&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARBlfSEWhbVlOy2HuqsIJKz1U8qmdPIxqP4Fdlx1_OjnU7PuqNmysMGZLoADx8-1JPLEjkSI4Ms_wACz%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfbiVEmNhKKY_Bt_GMWCVgb3t-3N5IsFv2hW1lSSIZam8uJ5NSQZBVlXfe9saUBGNMT-VobrGw1xY610HB9QRDU0" href="https://www.facebook.com/portrayalmusic/?__tn__=K-R&eid=ARBlfSEWhbVlOy2HuqsIJKz1U8qmdPIxqP4Fdlx1_OjnU7PuqNmysMGZLoADx8-1JPLEjkSI4Ms_wACz&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Portrayal</a>, <a class="profileLink" 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data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=108626448882&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARDQKqJOwzFTABykDezSmXVAJoZ2QDNqWFde9R_ycBTCql3UiYM7UVp_WpAv9oBad0grJK5ovzCh137H%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfYHRcz4GNYGYpE06oDyN_lBoEbJv194hrMOYhc-tR51qcr4FqotKcE_5tQ7xZV6IYWq9rs7CO3qQKmjBcc8RGdM" href="https://www.facebook.com/filmschoolmusic/?__tn__=K-R&eid=ARDQKqJOwzFTABykDezSmXVAJoZ2QDNqWFde9R_ycBTCql3UiYM7UVp_WpAv9oBad0grJK5ovzCh137H&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Film School</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=111877509158285&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARDpgc1NuINRTRdGCyVsdiXabpW1pvoqjOAqJussYZSVG1kPnjgHE-S-vkegDf3Nf3F8VvkQ77eXhO7M%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfZA6H9Es_sLhSfizXaDonr_ozcqeNPAF_LWdNEb5iRFadz1A8i5caB-CYRT8NeYcIt68TrIN-gqddTGwklyfw6D" href="https://www.facebook.com/soonshesaid/?__tn__=K-R&eid=ARDpgc1NuINRTRdGCyVsdiXabpW1pvoqjOAqJussYZSVG1kPnjgHE-S-vkegDf3Nf3F8VvkQ77eXhO7M&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Soon, she said</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1558801291007172&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARDzIjrne0GR8a4aueLj9YePGUzzUlDjKStRf_b4TNfqiKIdn1_1Ekow_wViNQURZEfNJ2qYy5HOAlUJ%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=Afbx1H4oRSgVCHwBs2HaJS7DwpN3TsE8tExUy2eyINI5EE6M6dwy8I2vDszFtnrHPCCTzQc18WMlL42RmtEqdJjO" href="https://www.facebook.com/blankenbergeband/?__tn__=K-R&eid=ARDzIjrne0GR8a4aueLj9YePGUzzUlDjKStRf_b4TNfqiKIdn1_1Ekow_wViNQURZEfNJ2qYy5HOAlUJ&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Blankenberge</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=264417640566141&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARAAW0-VzTnHeib3XlaWMZchBWB06DEbYm4-_Yrw9yzcyn67RPYSnmhGvyQEfx9Ckt0T5PYO098J04zt%22%2C%22fref%22%3A%22mentions%22%7D&av=1744648655756377&eav=AfZn_NE9LIxQhTzdEIe6PXfQY52ocBAxd0GoSddheYr0-cqR3iXqgRmNuuOUE9ZWfd1CxMI5spyx8B2ABV5tuxO8" href="https://www.facebook.com/lovenusband/?__tn__=K-R&eid=ARAAW0-VzTnHeib3XlaWMZchBWB06DEbYm4-_Yrw9yzcyn67RPYSnmhGvyQEfx9Ckt0T5PYO098J04zt&fref=mentions&__xts__%5B0%5D=68.ARCeVZuL2AeRBmR_-7mIWy2gai_TyA6ctYPBxmk2ez42agtqXJ709PG5dKvl3wLhD3jhPzYnyMpBZuZD7TgoPOMlPSHwEU6nGe36j2QhoUFlwwh4eHQ8rPDKQmxYpsmK47_KsP_ntF8W_iumNNddSN6r9EbMFJkNtkmhv255NEmpQBznRM2NJsb4tzYswb2PEKdR31NeHzKRRHvtlPauebckZlyV4RMiVqbRlwb6_q9KNjOhuttLznD1JHf7fpwBinj5p7tZyhrqssRm11AcscZsu5tSmGEdAXvQa_zfOh92We-FU2q9LG1sqnj-DgQlMhkNyDG3wI1DNT4EKxHMWwNsxM-L">Life on Venus</a> + MORE! </span></div>
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<span style="font-size: large;">Stream it live 10p E/7pm P @ <a data-ft="{"tn":"-U"}" data-lynx-mode="async" href="https://l.facebook.com/l.php?u=http%3A%2F%2Fdecayfm.com%2F%3Ffbclid%3DIwAR0ijehvc8n0NW1m0tEwaOnTQAbZCIOWi0lsHjWtpD8eEcyrkfG0DNlOznc&h=AT3gADnJ9hWBEJblbCBGYnFzOU3VotTcITi27fqSXSbzfvowJBfM42HQ2HosFMtuoXOXD8Owgxqt02ibaPaBzgWHL_1uUADXQqW8w9tDMt8y3LXamlc_ELbhbbZy0HLSlyUtzQzq4VRDg-7tfiFoZJ8sbVogyTn07AEJfnLCsKh2xrX1BdjGIcQfd34p1EVx2Z8d-nyx4Z5Z_Jy-HEnN8tRr9D-29p51xhE_Iz3zC5gMaiOu-BBd1pC2rsBrshjjRCfvL4KbeTd26GWuywL0rSm9Yv3QxwXiLUlKPYma7MHhq5Lhxc1AtELUy2uFp6S7WRF2oh7SwuXlbYw8BDw5KYiVG6tSx4o6ny0cluaW6q-eI3_R17ziHDoecbiTZigoVJHHqd4pIlNH173ykEHAw2oTWFwEPfMlEKGyX8QD8mGFG0Jsuayi3KeqyPqzdzXQVVEMF5IaHFm3hG59cQCOsWv25ipdDaghyDX-uPbymrXMIegI626zK_nOfDoY0NVqFg3OohkBbT_Mj2VlW97ykRrf9XWY75G-awtWTsShkW2WOTqUHBC3FzJRpuvARWV4g-1oXbZjhJ_IqxVORNOTKRgeESmgS2ZikzuO06rAyw0s3dvdn44nBhKRRWv2E3oXrddDQW8pum7HnqsWJcJhydjP" rel="noopener nofollow" target="_blank">decayfm.com</a> or via the app. </span></div>
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<span style="font-size: large;">Stay tuned for Drowned in a Sea of Sound w/ DJ Krissy right after WTSH wraps! </span><span class="_5mfr"><span class="_6qdm" style="background-image: url("https://static.xx.fbcdn.net/images/emoji.php/v9/t0/1/16/1f5a4.png"); font-size: 16px; height: 16px; width: 16px;"></span></span></div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-64329964561011116482019-05-03T12:08:00.000-05:002019-05-03T12:08:50.216-05:00Bandcamp Track of the Day: So Totally | No Heaven + Album Drop.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyOpNlfHn0Ol4m6uc-PqsGchteOmhMUqXVUUeaiEgY6XWwRX4pi63YptCBpqENSWsM5BuJPWw5iNPTQcvCtNkwxYUSyk81jAiLLWLeM4pEQdvnlwdD2dvqVQtTLzVHqZwoSN-yXQ70WwY/s1600/so+totally+BCTotD+header.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="377" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyOpNlfHn0Ol4m6uc-PqsGchteOmhMUqXVUUeaiEgY6XWwRX4pi63YptCBpqENSWsM5BuJPWw5iNPTQcvCtNkwxYUSyk81jAiLLWLeM4pEQdvnlwdD2dvqVQtTLzVHqZwoSN-yXQ70WwY/s1600/so+totally+BCTotD+header.png" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Philadelphia, PA quartet So Totally</b> make densely gazey
music that is, in their own words, “sullen psych” of the “bring your fuzz pedal
to work” variety. “No Heaven” appears on the project’s debut full-length <i>In the
Shape of…</i> which <a href="https://sototally.bandcamp.com/"><b><i>drops today</i></b></a> in digital
form on Bandcamp. <i>In the Shape of…</i> follows the band's first release, December
2016 EP <a href="https://sototally.bandcamp.com/album/a-cheap-close-up-of-heaven-2"><i>A
Cheap Close-up of Heaven</i></a>.</span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=103209087/size=large/bgcol=333333/linkcol=0f91ff/tracklist=false/artwork=small/track=191974885/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://sototally.bandcamp.com/album/in-the-shape-of">in the shape of... by So Totally</a></iframe></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://www.facebook.com/sototallyinlove/">So
Totally on Facebook</a> | <a href="https://www.instagram.com/so_totally/">So
Totally on Instagram</a>. </span></span><span style="font-family: "arial" , sans-serif; font-size: 12.0pt; line-height: 107%;"> </span></div>
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When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-80915426205638501992019-05-01T11:35:00.001-05:002019-05-01T14:03:33.199-05:00Exclusive Single Premiere: Tate | Lombard.<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXYdPCxSlbY0CQexnNk2sfY8LHq6YGYYfQVOP2vHVDaJ9RQudy0t5ZCdxRePf-0faZvBH3BITtH6iw3XRwig-URzvjH4AHwoFYUc5mpJlqsiBCAwfkAKBLzYRHnk0kHMi17k_wtVWJuw/s1600/opt+4.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXYdPCxSlbY0CQexnNk2sfY8LHq6YGYYfQVOP2vHVDaJ9RQudy0t5ZCdxRePf-0faZvBH3BITtH6iw3XRwig-URzvjH4AHwoFYUc5mpJlqsiBCAwfkAKBLzYRHnk0kHMi17k_wtVWJuw/s1600/opt+4.png" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Tate captured our attention</b> by way of an
effervescent <a href="https://www.youtube.com/watch?v=xygRX2NDe4Q">live
set</a> recently hosted and posted by <a href="https://andrewhsilverman.wixsite.com/bigmouthphilly">Bigmouth</a> productions
of Philadelphia, PA, the band’s home city. Tate began as the bedroom recording
project of songwriter Tate Kamish and has grown into a gigging and recording
quartet consisting of Tori Roccia on lead guitar, Natalia Navarra on bass, and
John DiCocco on drums, along with Kamish herself on guitar and vocals.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">We contacted Kamish and to our delight were almost
immediately offered the chance to premiere new single "Lombard", a song, she
tells us, "about being bogged down by stress and monotony, the physical
and emotional effects of that, and trying to release it and regain control of
your body and headspace." Kamish’s naturally captivating voice is present in
the track from the very first note, accompanied at first only by a minimal
guitar part. The track then builds slowly and jumps up to a new level at about
the one-minute point, when fully fuzzed chords kick out beneath the song’s
winning pop melodies to complete a guitar pop sound, both bittersweet and
energetic, that fans of All Dogs, Hop Along, and Alvvays are likely to
appreciate.<o:p></o:p></span></span></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=668103065/size=large/bgcol=333333/linkcol=4ec5ec/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://t8t8t8.bandcamp.com/track/lombard">Lombard by Tate</a></iframe></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Tate released first single <a href="https://t8t8t8.bandcamp.com/track/honey">"Honey"</a> in 2017 and
three-track EP <a href="https://t8t8t8.bandcamp.com/album/new-to-this"><i>New to This</i></a> early last year, both as digital downloads. We’re excited to
share news that the band’s debut full-length <i>After You</i> will be self-released on
cassette and to all major streaming platforms on July 12th, 2019.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ1GkfDYAAtb-10PdDDCr60ien910rDmoW19Mh5QjcTj-elu890hP3QQxTELiQtXH-dxaEjue4gKNpfb8zvtYiBMRy-po8_WZgUSYK1bTceNkh11ZHyHiaNsse3drJZ6TH1KN4IDK0MLA/s1600/sarah+rudderow+resizered.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="792" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ1GkfDYAAtb-10PdDDCr60ien910rDmoW19Mh5QjcTj-elu890hP3QQxTELiQtXH-dxaEjue4gKNpfb8zvtYiBMRy-po8_WZgUSYK1bTceNkh11ZHyHiaNsse3drJZ6TH1KN4IDK0MLA/s1600/sarah+rudderow+resizered.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><i>Photo by Sarah Rudderow.</i></span></td></tr>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">As of today,</span><span style="font-family: "georgia" , "times new roman" , serif;"> "</span><span style="font-family: "georgia" , "times new roman" , serif;">Lombard" is available as a <a href="https://t8t8t8.bandcamp.com/track/lombard">name-your-price
download</a> on Bandcamp. It will appear on other digital platforms this coming Friday, May 3rd. The track was engineered by Keith Abrams, mixed by
Tim McMonigle, and mastered by Wyatt Oberholzer.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Tate will be playing this coming Friday, May 3rd, at
an <a href="https://www.facebook.com/8Ball-Community-463362820663799/">8Ball
Community</a> underground session and at 4pm Saturday at <a href="https://www.facebook.com/Last-Stop-Sports-Bar-Winooski-Vermont-194242467739196/">Last
Stop Sports Bar</a> in Winooski, Vermont as part of <a href="https://www.facebook.com/events/316332775670715/">Waking Windows Winooski
2019</a>. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://www.facebook.com/tatethings/">Tate
on Facebook</a> | </span></span><a href="https://www.instagram.com/hi_its_tate/?fbclid=IwAR0wRaHvGncGDcOg7PfDdbOnN2sSR3RUSy_i6rh_JG3uXSWPffnYLRcUGCg" style="font-family: Georgia, "Times New Roman", serif; font-size: 12pt;">Tate
on Instagram</a><span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt;"> </span></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-8008423674817193122019-04-27T16:03:00.000-05:002019-04-27T16:05:27.637-05:00New Single: taffy | She & She.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfWWgV6LD9qFJhXqsTyNHG6BbDqQP5MGT-MRDlsty9FcXeMoPp7zHwDE4svXNf5LxuRWlpoq7AAbvFV59ZLW99kMmnjAG5EuWUGu_PuiSwbJ4XavuMhfht_KyphyW8owgjh1ZPqhP6gmg/s1600/taffy+star+reduced.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="560" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfWWgV6LD9qFJhXqsTyNHG6BbDqQP5MGT-MRDlsty9FcXeMoPp7zHwDE4svXNf5LxuRWlpoq7AAbvFV59ZLW99kMmnjAG5EuWUGu_PuiSwbJ4XavuMhfht_KyphyW8owgjh1ZPqhP6gmg/s1600/taffy+star+reduced.jpg" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>New single “She & She”</b> from Tokyo, Japan’s <a href="https://www.taffy8.com/">taffy</a> has <a href="http://www.beardedmagazine.com/news/article/exclusive-shoegazers-taffy-return-with-album-previewing-new-single">premiered
on Bearded</a>, and an upcoming full length titled <i>Deep Dark Creep Love</i> is slated
for release on <a href="http://store.clubac30.com/">Club AC30</a> on July 5th,
2019. </span></span><span style="font-size: 12pt;"><span style="font-family: "georgia" , "times new roman" , serif;">A touch of growl in the bass serves to anchor the song's sparkling
gossamer layers and to propel it through a perfect pop structure topped
by a melody so floral you can almost smell its sweetness. </span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: 16px;">We </span><a href="https://whenthesunhitsblog.blogspot.com/2017/06/interview-iris-of-taffy.html" style="font-family: Georgia, "Times New Roman", serif; font-size: 16px;">interviewed</a><span style="font-family: "georgia" , "times new roman" , serif; font-size: 16px;"> Iris of </span><a href="https://www.facebook.com/taffy8/" style="font-family: Georgia, "Times New Roman", serif; font-size: 16px;">taffy</a><span style="font-family: "georgia" , "times new roman" , serif; font-size: 16px;"> in conjunction with the release of 2017 LP </span><i style="font-family: Georgia, "Times New Roman", serif; font-size: 16px;">Nyctophilia</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: 16px;">.</span></div>
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<iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/610101564&color=%237c7c7c&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-18377527153066738022019-04-27T14:51:00.000-05:002019-04-27T14:51:02.844-05:00New Single + Video: Superdrone | Daydream feat. Miranda Lee Richards.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNwBexSYP_oGR07xXBl6QK5FpUuYKAprBEYy0I9O_BHrvOpYEKP7SLMIxVh5rQ5mfCEvBg17jRTvwqPZWgP0kOBoGrKAQAlcIUz200ar_YGIcCcsnqwdupG0R2F4coFieb3HRT3h8RKVE/s1600/tryptich+reduced.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="362" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNwBexSYP_oGR07xXBl6QK5FpUuYKAprBEYy0I9O_BHrvOpYEKP7SLMIxVh5rQ5mfCEvBg17jRTvwqPZWgP0kOBoGrKAQAlcIUz200ar_YGIcCcsnqwdupG0R2F4coFieb3HRT3h8RKVE/s1600/tryptich+reduced.jpg" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: Georgia, Times New Roman, serif;"><b>Southampton, England trio</b> <a href="http://www.superdronezone.co.uk/">Superdrone</a> formed in 2015 and describe
their music as “neo-psychedelic stadium-drone”. They’re presently working towards
release of their third full-length, on which “Daydream” will appear. The track
features west coast USA singer, songwriter and recording artist <a href="http://www.mirandaleerichards.com/">Miranda Lee Richards</a>, who graced
Superdrone’s sophomore effort with the heavenly voice that first riveted
attention through her work with The Brian Jonestown Massacre.</span><span style="font-family: Arial, sans-serif;"><o:p></o:p></span></span></div>
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<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ga7N9biJIF8?rel=0" width="560"></iframe></div>
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When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-34528245307593302432019-04-23T14:05:00.000-05:002019-05-01T12:07:19.782-05:00Wallflower Records Interview with Corey Savage.<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCrYxKTa5Bu77gkUV6jiWIflrxtjj4LH3isSUWqcJqypW9UhKZs3j_Tze0pkFabOi1tfeigfeClNnLIsC1gHMgO3Nnmd5FaaYtsgxsTnd0VY8TGjUwtPuyAaOyWIWcftIa36wtHWJkNRg/s1600/winter++7-inch+cover+resized.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="560" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCrYxKTa5Bu77gkUV6jiWIflrxtjj4LH3isSUWqcJqypW9UhKZs3j_Tze0pkFabOi1tfeigfeClNnLIsC1gHMgO3Nnmd5FaaYtsgxsTnd0VY8TGjUwtPuyAaOyWIWcftIa36wtHWJkNRg/s1600/winter++7-inch+cover+resized.jpg" /></a></td></tr>
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<span style="font-size: 10pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Cover art for Winter’s <i>Memória Colorida/Wherever You Are</i>
7-inch by <a href="http://www.vinylwilliams.com/">Vinyl Williams</a>.</span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;"><b>Wallflower</b></span><span style="font-size: 12pt; line-height: 107%;"><b>
Records is an independent</b> cassette and vinyl concern that cropped up in
Houston, Texas just a short time ago, soon to become one of <i>When the Sun Hits</i>’ label
favorites. <a href="https://wallflowerrecords.org/">Wallflower</a>’s prominence on our radar really jumped forth when we
found out last fall that the label had reissued Winter’s sublime 2015 dream pop
album <i>Supreme Blue Dream</i> in an edition free of the defect that marred side two
of the original vinyl release on a different label. Good news indeed, as the
error had created an itch for a proper slab of the record that we hadn’t been
able to scratch for the three intervening years. Inquiring about the </span><a href="https://wallflowerrecords.org/products/winter-supreme-blue-dream-lp-pre-order"><span style="font-size: 12pt; line-height: 107%;">Winter
reissue</span></a><span style="font-size: 12pt; line-height: 107%;"> initiated our contact with Wallflower founder Corey Savage
and prompted us to take a closer look at the new label’s small but already
richly appealing catalog.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="line-height: 107%;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=615406767/size=small/bgcol=333333/linkcol=fe7eaf/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://samirawinter.bandcamp.com/track/mem-ria-colorida">Memória Colorida by Winter</a></iframe></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">We immediately noticed several artists we already knew and
loved in the label’s garage-psych, punk and dream pop garden patch: once more,
Winter, with the<span style="mso-spacerun: yes;"> </span>exquisitely crafted </span><a href="https://wallflowerrecords.org/products/winter-memoria-colorida-wherever-you-are-7-vinyl"><span style="font-size: 12pt; line-height: 107%;"><i>Memória
Colorida/Wherever You Are</i> 7-inch</span></a><span style="font-size: 12pt; line-height: 107%;">; WTSH deep-fuzz favorites </span><a href="https://sodalilies.bandcamp.com/"><span style="font-size: 12pt; line-height: 107%;">Soda Lilies</span></a><span style="font-size: 12pt; line-height: 107%;"> of
Austin, with a vinyl edition of 2016 full-length </span><a href="https://wallflowerrecords.org/products/soda-lilies-love-cemetery-tapes-lp"><span style="font-size: 12pt; line-height: 107%;"><i>Love
Cemetery Tapes</i></span></a><span style="font-size: 12pt; line-height: 107%;">; L.A. dream pop duo </span><a href="https://www.facebook.com/summertwins/"><span style="font-size: 12pt; line-height: 107%;">Summer Twins</span></a><span style="font-size: 12pt; line-height: 107%;"> with
the beautifully crafted </span><a href="https://wallflowerrecords.org/products/summer-twins-another-hit-7-vinyl-pre-order"><span style="font-size: 12pt; line-height: 107%;"><i>Another
Hit/Dream Girl</i> 7-inch</span></a><span style="font-size: 12pt; line-height: 107%;">, as well as related project </span><a href="https://www.facebook.com/easyloveband"><span style="font-size: 12pt; line-height: 107%;">Easy Love</span></a><span style="font-size: 12pt; line-height: 107%;"> with
its </span><a href="https://wallflowerrecords.org/products/easy-love-lp-pre-order"><span style="font-size: 12pt; line-height: 107%;">self-titled
full length</span></a><span style="font-size: 12pt; line-height: 107%;"> expression of what Wallflower’s catalog notes
call “hazy existentialism”. Here we discovered the distinctive, tremolant dream
pop of Wallflower’s </span><a href="https://wallflowerrecords.org/search?q=holy+golden"><span style="font-size: 12pt; line-height: 107%;">several
releases</span></a><span style="font-size: 12pt; line-height: 107%;"> by L.A.’s </span><a href="https://www.holygolden.com/"><span style="font-size: 12pt; line-height: 107%;">Holy
Golden</span></a><span style="font-size: 12pt; line-height: 107%;">, while familiar Houston janglewave exponents </span><a href="https://www.facebook.com/Astragalband/"><span style="font-size: 12pt; line-height: 107%;">Astragal</span></a><span style="font-size: 12pt; line-height: 107%;"> soon
popped up in the Wallflower space with the new </span><a href="https://wallflowerrecords.org/products/astragal-bloomer-self-titled-ep-7-vinyl-pre-order"><span style="font-size: 12pt; line-height: 107%;"><i>Bloomer/Self-Titled
EP</i> 7-inch</span></a><span style="font-size: 12pt; line-height: 107%;"> (in February we </span><a href="https://whenthesunhitsblog.blogspot.com/2019/02/wtsh-exclusive-single-premiere-astragal.html"><span style="font-size: 12pt; line-height: 107%;">premiered
the band’s single “Moderne Luxury”</span></a><span style="font-size: 12pt; line-height: 107%;">, which appeared </span></span><span style="font-family: georgia, "times new roman", serif; font-size: 16px;">shortly</span><span style="font-family: georgia, "times new roman", serif; font-size: 16px;"> after </span><span style="font-family: georgia, "times new roman", serif; font-size: 12pt; line-height: 107%;">on a </span><a href="https://astragal.bandcamp.com/album/ep-ii" style="font-family: georgia, "times new roman", serif;"><span style="font-size: 12pt; line-height: 107%;">new digital EP</span></a><span style="font-family: georgia, "times new roman", serif; font-size: 12pt; line-height: 107%;">).</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;"><br /></span></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">With several more artists and releases also on the roster, it’s a very impressive list for a label that’s been in gear for only sixteen months, and one packed with delights for listeners drawn to the range of music that this blog celebrates. Clearly, a label interview—it’s been a while since WTSH featured one—was in order. Many thanks to Corey for his considerable time, effort, and patience in answering our questions and otherwise assisting with this post.</span></span><br />
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<div style="text-align: center;">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2274147635/size=small/bgcol=333333/linkcol=e99708/track=1903751210/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://sodalilies.bandcamp.com/album/love-cemetery-tapes">Love Cemetery Tapes by Soda Lilies</a></iframe><br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">How and when did Wallflower get its start? What
motivated you to start a record label? Where did the name come from?<o:p></o:p></span></span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">In early 2016 I found myself
aimlessly wandering through Los Angeles pretty often—eventually attending
Lolipop Records' Lolipop Your Heart Out show at Teragram Ballroom
on February 6th. The bill was stacked and I was infinitely stoked to see </span><a href="http://www.peachkellipop.com/"><span style="font-size: 12pt; line-height: 107%;">Peach Kelli
Pop</span></a><span style="font-size: 12pt; line-height: 107%;">, my favorite band at the time, live in person.
PKP, Mystic Braves, The Creation Factory, Samira's Infinite Summer (side
project by Samira from </span><a href="https://www.facebook.com/daydreamingwinter/"><span style="font-size: 12pt; line-height: 107%;">Winter</span></a><span style="font-size: 12pt; line-height: 107%;">—who is actually now a Wallflower artist!), Psychomagic,
Billy Changer, Part Time and Corners flipped my fucking brain upside down for
several hours. The whole night seemingly emanated a liberating feeling that
canceled out any self-consciousness, leaving only the sonic undulations of that
singular moment in time. It culminated in a cathartic epiphany of eccentric
dancing at about the time Peach Kelli Pop was midway into the chorus of either "</span><a href="https://www.youtube.com/watch?v=Xujj1_VSveI"><span style="font-size: 12pt; line-height: 107%;">Panchito
Blues ii</span></a><span style="font-size: 12pt; line-height: 107%;">" or "</span><a href="https://www.youtube.com/watch?v=zxGegSloMZs"><span style="font-size: 12pt; line-height: 107%;">Dreamphone</span></a><span style="font-size: 12pt; line-height: 107%;">". I think being so utterly affected by
music like that really set me down a path towards curating and documenting it.
Actually, later that night in a dimly lit hotel room is when I first began
flirting with the idea of a label.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">In the days that followed the
show, I began bouncing record label ideas back and forth over a Facebook chat
with a collective friend group of mine that I was close with throughout my high
school and early post-high-school days. This early stage of the label didn't even
really do much other than exist for several months. A lot of my friends that
were originally on board with the idea ended up getting distracted with their
lives or moving away. I found myself alone and began to reflect on how to move
forward.<o:p></o:p></span></span><br />
<br />
<div style="text-align: center;">
<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=789522155/size=small/bgcol=333333/linkcol=fe7eaf/track=2912478870/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://easylovemusic.bandcamp.com/album/easy-love">Easy Love by Easy Love</a></iframe></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">The name "Wallflower
Records” was partially inspired by the song </span><span style="font-size: 12pt; line-height: 107%;"><a href="https://www.youtube.com/watch?v=XXnbvEsyfnk">"Flowers On The Wall"</a> by <a href="http://experimentaljelly.com/">Tomorrows Tulips</a></span><span style="font-size: 12pt; line-height: 107%;">—a
tune I'd regularly space out to around that time period. I began laying a basic
foundation for the label by doing some research and taking small steps here and
there. Soon I ran into Mikey Drag at a local show and we ended up working
together pretty regularly, mostly out of shared interest for psychedelic and
garage rock. (Houston wasn't exactly big on either genre; hell, you can still
count the number of local psych bands on your fingers.) Everything else just
sorta bloomed out from there.<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Please also tell us about the booking and live
show efforts you are making in conjunction with Wallflower. <o:p></o:p></span></span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">Mikey Drag, the other half of
Wallflower Records, is actually the one to thank for that. He handles all of
our live booking and events and assists with mailing orders and other
logistics. Mike has been booking shows in Houston for over ten years now and is
locally well-respected in both freelance work and as a permanent fixture of the
long-time Rockabilly-vibed venue, </span><a href="http://continentalclub.com/houston"><span style="font-size: 12pt; line-height: 107%;">The
Continental Club</span></a><span style="font-size: 12pt; line-height: 107%;">, which serves as
sort of home base for us. We first met at Satellite Bar a few years back when
he was still playing as his old sixties-style garage band, Mikey and The Drags,
which would later evolve into the more psychedelic-oriented </span><a href="https://flowergraves.bandcamp.com/track/living-in-disguise"><span style="font-size: 12pt; line-height: 107%;">Flower Graves</span></a><span style="font-size: 12pt; line-height: 107%;">, with whom we did </span><a href="https://wallflowerrecords.org/collections/7-vinyl/products/flower-graves-be-your-man-savage-7-vinyl-pre-order"><span style="font-size: 12pt; line-height: 107%;">our first 7-inch release</span></a><span style="font-size: 12pt; line-height: 107%;">.<o:p></o:p></span></span><br />
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Our mutual love for psych and
garage rock really forged our early partnership. Not long after, I think we
both realized we were pretty in tune on music taste across the board. It's
</span></span><br />
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span></div>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">pretty dang handy having someone on the same wavelength like that, even borderline
spooky at times, considering how accurately he can anticipate me!<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I can't remember exactly when
or why we started booking shows; it just sorta seemed to weave itself in
naturally. Mike was definitely the driving force behind it all. It was primarily
just for fun—we were putting on the shows we wanted to see, even sometimes
joking that if turnout was a bust, it'd just be our own private concert (and it
was, at times).<o:p></o:p></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;"><br /></span></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">Our first show was a small
shindig at Continental Club in February 2017, which featured Austin's </span><a href="https://www.facebook.com/delicateboys/"><span style="font-size: 12pt; line-height: 107%;">Delicate
Boys</span></a><span style="font-size: 12pt; line-height: 107%;"> and our local buds </span><a href="https://www.facebook.com/redpalmsmusic/"><span style="font-size: 12pt; line-height: 107%;">Redpalms</span></a><span style="font-size: 12pt; line-height: 107%;">. The first bill that really felt like a
self-produced Wallflower show in earnest wasn't until the sweltering summer
night of June 29th, 2017 at Rudyard's Pub, when we hosted </span><a href="https://flowergraves.bandcamp.com/track/living-in-disguise"><span style="font-size: 12pt; line-height: 107%;">Missing Pages</span></a><span style="font-size: 12pt; line-height: 107%;"> of Austin and </span><a href="https://daydreamingwinter.bandcamp.com/"><span style="font-size: 12pt; line-height: 107%;">Winter</span></a><span style="font-size: 12pt; line-height: 107%;">
from L.A. with local support from Tee Vee, our friend Teresa of Houston dream
pop favorites </span><a href="https://www.facebook.com/Roseettemusic/"><span style="font-size: 12pt; line-height: 107%;">Rose Ette</span></a><span style="font-size: 12pt; line-height: 107%;">,
and Mikey's former side project, </span><a href="https://soundcloud.com/thecleanteens"><span style="font-size: 12pt; line-height: 107%;">Cleen
Teens</span></a><span style="font-size: 12pt; line-height: 107%;">. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I think that night was pretty
essential for me in particular. It felt like one of those "hey, maybe I
can actually do this" moments. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I helped tag-team the booking
with Mike up until several months ago when an increasing vinyl and cassette
production workload (along with my already busy day job as an aircraft mechanic)
resulted in us officially defining roles within the label, with Mike running
booking and events and myself handling the traditional label responsibilities
(production, PR, finances, etc.). We still have some minor overlap though,
depending on what's happening.</span></span><br />
<br />
<div style="text-align: center;">
<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=311731067/size=small/bgcol=333333/linkcol=4ec5ec/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://summertwins.bandcamp.com/track/dream-girl">Dream Girl by Summer Twins</a></iframe></span></span></div>
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Is anyone else involved in Wallflower besides
you and Mikey? Do you ever use interns?<o:p></o:p></span></span></b></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Last fall we brought on our
friend, Alex Barclay, to help run social media and PR. He's the perfect fella
for it too. Alex knows damn near everybody in the Texas music scenes. Chances
are, if you see him at a show—more than likely, filming—you're in the right
place.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I make sure to pay both Mikey
and Alex for their help, but it's definitely not a full-time gig.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I'd like to bring a few
interns on beard at some point, but I honestly don't know what I'd have them
doing, other than maybe art design, street teaming posters and basic stuff.<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">How would you define the spectrum of music in
the Wallflower catalog? Do you think of the label’s purview in terms of genre(s),
or in other terms?<o:p></o:p></span></span></b></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Wallflower is the spectrum of
us. We find pieces of ourselves in those songs, for better or worse. That's
what makes music universal. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">You only need genres to
market music, not to enjoy it. My core music taste is rooted in the dimension
of everything raw, garagey bordering on dissonant, often with a touch of
atmospheric brooding. Granted, I don't pigeonhole myself into just those
categories, but I do regularly tend to wander back in that general direction.<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Can you tell us about your most recent releases
and about what’s coming up in the near future?<o:p></o:p></span></span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">In March, we released a </span><a href="https://wallflowerrecords.org/products/astragal-bloomer-self-titled-ep-7-vinyl-pre-order"><span style="font-size: 12pt; line-height: 107%;">7-inch reissue</span></a><span style="font-size: 12pt; line-height: 107%;"> of the self-titled EP by our local buds and jangle-pop heroes, Astragal,
with an all-new track on the B-side.<o:p></o:p></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;"><br /></span></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">At the end of last August we
co-released </span><a href="https://wallflowerrecords.org/products/gymshorts-knock-knock"><span style="font-size: 12pt; line-height: 107%;">GYMSHORTS' brand new album <i>KNOCK KNOCK</i></span></a><span style="font-size: 12pt; line-height: 107%;"> with Burger Records and Bachelor Records in
Europe on lovely, slimy green 12-inch vinyl! It was pretty surreal doing this one, as I've been a big GYMSHORTS fan for a
few years now and frontwoman Sarah just sorta hit me up outta the blue. I can't
stress enough how fucking phenomenal this album is—I'm almost certain it'll be
a punk classic. The whole thing is imbued with this snotty, rebel youth
attitude that harkens back to the likes of Descendents.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt; line-height: 107%;">In late October, we released </span><a href="https://wallflowerrecords.org/collections/lps/products/holy-golden-sleepwalkers-in-the-milky-way-gold-metallic-lp-pre-order" style="font-family: georgia, "times new roman", serif;"><span style="font-size: 12pt; line-height: 107%;">a metallic gold 12" vinyl pressing of Holy
Golden's brand new album <i>Sleepwalkers in the Milky Way</i></span></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt; line-height: 107%;">. For
those who aren't familiar, Holy Golden is essentially what would happen if Wes
Anderson wrote a script about a nomadic dream pop band who sleep in haunted
castles and exude spookily serene energy...except they're totally real, and
yes, it's very rad. Go watch their video for "Lost Island"—you'll
feel it.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt; line-height: 107%;">Lately I've been trying to taper off my involvement in new projects so I can focus on some internal renovations</span><br />
<br /></div>
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<div style="text-align: center;">
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/LF1TaklZdks?rel=0" width="560"></iframe></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;">You’ve just mentioned GYMSHORTS’ slimy green LP
and Holy Golden’s gold LP pressing. Meanwhile, </span></b><a href="https://wallflowerrecords.org/collections/all/products/soda-lilies-love-cemetery-tapes-lp"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;">Soda Lilies’
<i>Love Cemetery Tapes</i> is on beautiful purple vinyl</span></b></a><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"> and Winter’s
</span></b><a href="https://wallflowerrecords.org/collections/all/products/winter-memoria-colorida-wherever-you-are-7-vinyl"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><i>Memória
Colorida/Wherever You Are</i> 7-inch</span></b></a><b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"> is a lovely red. What’s the attraction of
colored pressings from your standpoint?<o:p></o:p></span></b></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Colored vinyl is kind of
becoming a new standard in the music industry. Most labels will tell you that
it's noticeably more difficult to move black vinyl in comparison to colored
pressings. I think this is something of a side effect of our social and
cultural zeitgeist, which favors holistic and inclusive values. There's this
sort of contemporary tendency to focus on the whole of an aesthetic, rather
than solely perfecting a single dimension of it. It's kind of a blessing and a
curse for art, in that you can generate lovely atmosphere, but sometimes at the
expense of depth. <o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">How about vinyl weight? What weight do you use,
and do you think vinyl weight makes an important difference in sound?<o:p></o:p></span></span></b></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">It varies on the release, but
most are 140 gram vinyl. We pressed Holy Golden's <i>Wax Castle</i> LP on 180 gram
vinyl via Pallas Group in Germany last year and it was the best record ever. I
love that pressing, it felt so full and lush. I wish we could routinely
replicate it, but the price-point would be monumental, given how frequently we're
tackling new projects. Maybe someday...<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">What steps do you take in terms of quality
control to make sure you’re releasing quality records, tapes, and downloads?<o:p></o:p></span></span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">Any time I get a test
pressing or tape, I'll listen to it fifteen to twenty-five times per side.
Afterwards, myself or Mikey will take it around Houston to our favorite local
record stores for second opinions. I particularly like to reach out to my
friend John Baldwin at </span><a href="https://www.deependhtx.com/"><span style="font-size: 12pt; line-height: 107%;">Deep End Records</span></a><span style="font-size: 12pt; line-height: 107%;">, as he's immeasurably knowledgeable across so
many genres, and just in general a swell fuckin’ fella. For digital, it's a
similar process except done over email or Facebook messenger.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUwC2x_FuY-WYarVdv3waoRXheFNVSFb82hq4WtUG-HtVHGO5WAB1iBgJ6QiGLmnSAncKf0zgTq4mTePq8EpFBxMZuOOXW6-f8oTG5e6BKexfE5Yl0ua80Z2bYvDYg5bO_-93kEHThs8c/s1600/holy+golden+gold+pressing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="500" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUwC2x_FuY-WYarVdv3waoRXheFNVSFb82hq4WtUG-HtVHGO5WAB1iBgJ6QiGLmnSAncKf0zgTq4mTePq8EpFBxMZuOOXW6-f8oTG5e6BKexfE5Yl0ua80Z2bYvDYg5bO_-93kEHThs8c/s320/holy+golden+gold+pressing.jpg" width="320" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">What’s the beginning of the process that leads
to a release on Wallflower? How does the initial connection between the artist
and label get made?<o:p></o:p></span></span></b></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">It's pretty informal, to be
honest. I just get drunk at shows and ramble about absurd bullshit with bands,
or get pantslessly drunk at home and answer demo submission emails. Dimming
those pesky social inhibitions is definitely key.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Even if it takes me awhile,
I'm pretty good about checking out every demo submission. Just shoot an email
to us at </span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt;"><i>wallflowerrecordsmusic@gmail.com</i>.</span></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I'll even take physical submissions,
just shoot me a message and we'll coordinate it!<o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">How do your products get sold and distributed?<o:p></o:p></span></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">A very elaborate messenger
pigeon system. They're unionized and everything, it's wild.<o:p></o:p></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: 12pt; line-height: 107%;">But seriously, we just have a
simple order fulfillment system via our </span><a href="https://wallflowerrecords.org/collections/all"><span style="font-size: 12pt; line-height: 107%;">Shopify webstore</span></a><span style="font-size: 12pt; line-height: 107%;">. Mike and myself ship everything by hand, which can be daunting at times, but ultimately
rewarding when you see how tangible these people's love for music is. We'll
also sell in person as a vendor at certain shows, festivals and neat events
around Texas.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Our bands also have their own
stock for sale while out on tour.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I actually set up some other
distribution channels awhile back, but never really utilized them. I'm thinking
of revisiting this soon and cutting a proper deal with a distributor.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></span><br />
<br />
<div style="text-align: center;">
<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1528344351/size=small/bgcol=333333/linkcol=e99708/track=584402923/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://astragal.bandcamp.com/album/ep-ii">EP II by astragal</a></iframe></span></span></div>
<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">How is Wallflower funded? Does it lose money,
break even, or make money? If it’s presently losing money or breaking even, is
there any prospect of moving up, either to a break-even or profit level, in the
near future?<o:p></o:p></span></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I personally fund everything
out of pocket via my day job in aircraft maintenance. It's definitely one of
those money-pit hobbies, given that the costs associated with vinyl production
are pretty steep. An average pressing can be anywhere from $700 to $2800 or so,
depending on what you're going for. Also, take into consideration that you're
generally doing multiple releases at any one time. I'm a fucking idiot for
doing any of this, but I earnestly believe in the people behind these bands.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I don't really foresee us
feasibly making a huge impact or moving up too much in the food chain. We're
too amateur in our current incarnation. Processes need to be streamlined a bit.
We'll see how it all plays out, in due time.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></b>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Is there anything you would say to someone who’s
interested in starting a label?<o:p></o:p></span></span></b></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Running a label is...well,
it's like "Ahhhhhhhhh", but in both the good and bad context all at
once.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Pace is everything; don't
murder yourself. Persist.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Most importantly, have fun.</span><b style="font-family: Arial, sans-serif;"><o:p></o:p></b></span></div>
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<span style="font-size: 9pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Summer Twins’ <i>Another Hit/Dream Girl</i> 7-inch.<o:p></o:p></span></span></div>
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When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-11217895333184154932019-04-23T13:38:00.000-05:002019-04-23T13:38:09.433-05:00Debut Single Premiere: Spunsugar | I Shouldn't Care. <div class="separator" style="clear: both; text-align: center;">
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-EaxhSEhGY59vAELvwzJqkeOqX-2n0N4qdboK9ED2MuBlkR7UkGqIC8sVFJns9z4StP4kE-L_yseGy3Qdr6PKZ1BpdfXKf6hAwcYmS1FUWxC9m7vIuE6a1Ui2OoYKutL6qxMP452t4o/s1600/spunsugar+download+reduced.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-EaxhSEhGY59vAELvwzJqkeOqX-2n0N4qdboK9ED2MuBlkR7UkGqIC8sVFJns9z4StP4kE-L_yseGy3Qdr6PKZ1BpdfXKf6hAwcYmS1FUWxC9m7vIuE6a1Ui2OoYKutL6qxMP452t4o/s1600/spunsugar+download+reduced.jpg" /></a></td></tr>
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<span style="font-size: 9pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Photo by Maja Strömberg.</span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: Georgia, Times New Roman, serif;"><b>New trio Spunsugar</b> have been playing gigs around their
home base of Malmö, Sweden—including an opening slot for one of their major
influences, Nothing—and today release their debut track, “I Shouldn’t Care”, on
all major digital platforms. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: Georgia, Times New Roman, serif;">A guitar texture like distant wind, thumping electronic
drums, and an arpeggio outlining a few building chords form an introduction offering
little foretoken of the song’s abrupt explosion into a torrent of noise and
melody as ear-splitting as it is sweet. An arcing, exquisite female vocal soon
appears to master the maelstrom and guide this crackling fuzz frenzy home.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: Georgia, Times New Roman, serif;"><a href="https://www.facebook.com/Spunsugar-1954664354594177/">Spunsugar</a> return
to the studio this weekend to record a four-track EP that will likely include
“I Shouldn’t Care.” Good news.</span><span style="font-family: Arial, sans-serif;"><o:p></o:p></span></span></div>
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<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/588389883&color=%237c6c74&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: 12px;"><a href="https://open.spotify.com/album/1TCSDnaApPswRXbjmbc02D" style="font-size: 12px;">"I Shouldn't Care" on Spotify.</a></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12px;"><a href="https://www.instagram.com/spunsugarmusic/" style="font-size: 12px;">Spunsugar on Instagram.</a></span></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-64268597967619988382019-04-19T16:01:00.001-05:002019-04-19T16:12:50.802-05:00Bandcamp Track of the Day: The Empty Sleeps | Good Place.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmPL2UjdWr-qURpohG6_zxIcF2tMSkaqoC21011iY-NMZFfemvn_9QCoSIe4CZigh7iGzmnWzIiO2BhB-MLTDy8HIlR8X0ZXE3Tr8Byn5lal1UrbqwVpuukcpBFXWkRgxjh-5V20Zhx-k/s1600/empty+sleeps+resized.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="560" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmPL2UjdWr-qURpohG6_zxIcF2tMSkaqoC21011iY-NMZFfemvn_9QCoSIe4CZigh7iGzmnWzIiO2BhB-MLTDy8HIlR8X0ZXE3Tr8Byn5lal1UrbqwVpuukcpBFXWkRgxjh-5V20Zhx-k/s1600/empty+sleeps+resized.jpg" /></a></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>From Adelaide in South Australia</b> come <a href="https://theemptysleeps.bandcamp.com/">The Empty Sleeps</a>, consisting of
Tristan Hennig and Nic Datson. Prepare to be washed away on the surge of lovely
guitar tones and distant, ethereal vocals that the duo spin forth in their new
single, “Good Place.”</span></span></div>
<br />
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=3102596385/size=large/bgcol=333333/linkcol=fe7eaf/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://theemptysleeps.bandcamp.com/track/good-place">good place by the empty sleeps</a></iframe><br />When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-58695354575357783622019-03-22T12:15:00.000-05:002019-03-22T14:52:38.929-05:00INTERVIEW: LLOLLYANNA.<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIgyC_ZNdUmZ37h192APlB77VcRejUhmsK-Pl1vVxOd3RI93KgjyLHHOg_UZVUE5kDHO458sX_03nWvUwxpuNqY70KZYzg1Zfam9gTuZG7ctyWW_ZmTGM9WzrVdb5SghYr-kcGbOPnG0c/s1600/aboveground+resized.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIgyC_ZNdUmZ37h192APlB77VcRejUhmsK-Pl1vVxOd3RI93KgjyLHHOg_UZVUE5kDHO458sX_03nWvUwxpuNqY70KZYzg1Zfam9gTuZG7ctyWW_ZmTGM9WzrVdb5SghYr-kcGbOPnG0c/s1600/aboveground+resized.jpg" /></a></div>
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<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: large;">LLOLLYANNA is the rubric</span></b><span style="font-size: 12pt;"> under which a thirtyish male
in New York City—he chooses not to associate his given name with his project—puts out recordings. These tracks unleash what must be one of the sheerly biggest sounds
ever to emerge from a one-person, self-recorded, home-studio context. If the
phrase “epic bedroom pop” isn’t an oxymoron—or even if it is—it’s apt for the
music of </span><a href="https://twitter.com/llollyyanna" style="font-size: 12pt;">LLOLLYANNA</a><span style="font-size: 12pt;">.</span></span><span style="font-family: "arial" , sans-serif; font-size: 12pt;"><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">LOLLYANNA’s brand new EP, <a href="https://llollyanna.bandcamp.com/album/tarot-waltz-ep"><i>Tarot Waltz</i></a> (we <a href="https://whenthesunhitsblog.blogspot.com/2019/01/single-premiere-llollyanna-goodbye-roby.html">premiered</a> the lead track, “Goodbye Roby”, a short time ago) is a refreshing blast, five
tracks and twenty-two minutes of a sound that somehow stays surprising even after
repeated listens. Like earlier LLOLLY releases, but at an even higher level of
realization, this EP demonstrates that re-envisioning catchy pop with building
blocks of noise and extreme texture is still fertile territory for the
emergence of distinctive voices that can yet jar our brains in their pans and
put smiles of startled pleasure on our faces. The project joins a tradition perhaps
first established by Brian Eno’s 1970s solo records, populated with songs as infectiously
tuneful as they are <a href="https://www.youtube.com/watch?v=W2jTIq9Mi50">weirdly
surfaced</a> and <a href="https://www.youtube.com/watch?v=Yp0k_o8gfQI">exuberantly
clamorous</a>. Summarily speaking, <i>Tarot Waltz</i> fuses classic pop melody with wrenched
skronk in a way that feels innovative and fresh even after over forty years of
experiments of this kind.</span></span></div>
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<span style="font-size: 12pt;"><span style="font-family: "georgia" , "times new roman" , serif;">Many thanks to the shadowed but engaging figure behind LLOLLYANNA
for this thoughtful and clearly articulated interview.</span></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 12.0pt; line-height: 107%;"><br /></span></div>
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<span style="font-family: "arial" , sans-serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2916362240/size=small/bgcol=333333/linkcol=fe7eaf/track=4279386796/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://llollyanna.bandcamp.com/album/tarot-waltz-ep">Tarot Waltz EP by LLOLLYANNA</a></iframe></span></div>
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<b style="font-family: Georgia, "Times New Roman", serif; font-size: 12pt;">How did the project get started? How did the band name “LLOLLYANNA”
come about?</b><br />
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">In the beginning of 2017 I was turning twenty-nine and
realized that I didn’t have anything to show for years of writing and recording
music. I’d played in bands and stuff but nothing ever got released. I just
wanted something that was my own. Something I could show friends and say, “this
is the music I make, this is the kind of stuff I like.” If I could make one song
I was really proud of, none of this will have been a waste. I re-recorded an
old demo I had called <a href="https://llollyanna.bandcamp.com/track/aboveground">“Aboveground”</a> and put it online. I don’t know where the
name LLOLLYANNA came from but for me it’s become more of a place than a band
name. It’s just the place my mind goes when I’m lost in making this stuff.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2916362240/size=small/bgcol=333333/linkcol=fe7eaf/track=1002161326/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://llollyanna.bandcamp.com/album/tarot-waltz-ep">Tarot Waltz EP by LLOLLYANNA</a></iframe></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Why do you choose not to connect your own name with LLOLLYANNA?</b><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I like knowing that people listen because they want to and
not because of the person or personality behind it. I’ve always enjoyed stuff
like The Residents and how nobody knows who they are, even after forty years of
music. Everybody knows everything about everyone these days and I think it sort
of takes away from the art. </span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Do you have any plans to bring LLOLLYANNA into the live
context?</b><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">There are no planned live shows at this point. If LLOLLYANNA
gets to a place where it makes sense to put shows together, then of course I
will. But for now, I’m only focused on the recordings. <o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>It was your exceptionally creative December 2018 single “Down
by Design”— surely one of our favorite tracks from last year—that first grabbed
our attention. Is there any backstory to that track or anything about the
process of its creation that you’d like to share?</b><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">That song was a bit of a struggle because it’s got a lot of
guitars (both acoustic and electric) moving in and out of tune. I started
demoing last summer and spent most of the fall trying to get everything to work
together. I must’ve recorded five versions before settling on one that I
liked. <o:p></o:p></span></span></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=3912527132/size=small/bgcol=333333/linkcol=e32c14/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://llollyanna.bandcamp.com/track/down-by-design">Down by Design by LLOLLYANNA</a></iframe></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Can you tell us a little about your song writing process?</b></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Sure.
My family lives in a really remote part of Delaware outside of Dover and I like
to write when I’m there visiting. Their house is like 200 years old and
surrounded by farmland and cemeteries. There is an odd atmosphere that is hard
to explain. It’s a bit eerie I guess. Most LLOLLYANNA songs are born there.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What do you think of modern shoegaze/dream pop/psychedelia
artists, any favorites?</b><o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">To me shoegaze just means creative guitar music. Some
playground to explore all the possibilities of what a guitar could sound like.
Unfortunately, I think a lot of bands are content with just sounding like Kevin
Shields. His records are there to inspire you to make your own thing, not to remake
his. That being said, I have heard a few things recently that really blew me
away. <a href="https://www.facebook.com/votariesx/" target="_blank">Votaries</a>
put out an album called <a href="https://wharfcatrecords.bandcamp.com/album/psychometry" target="_blank"><i>Psychometry</i></a>
awhile back and that’s the best record I’ve heard in a long time.<o:p></o:p></span></span></div>
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<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2916362240/size=small/bgcol=333333/linkcol=fe7eaf/track=2851406502/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://llollyanna.bandcamp.com/album/tarot-waltz-ep">Tarot Waltz EP by LLOLLYANNA</a></iframe></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What artists (musicians or otherwise) have most influenced
your work?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">There are just too many to list. I can give you a few
albums I was really into at different points of my life. <i>Return to Cookie
Mountain</i> by TV on the Radio, <i>Double Nickels</i> by The Minutemen, <i>Frisbee</i> by Heavy
Vegetable, the <a href="https://www.discogs.com/Major-Organ-And-The-Adding-Machine-Major-Organ-And-The-Adding-Machine/master/283352" target="_blank">self-titled album</a> by <a href="https://en.wikipedia.org/wiki/Major_Organ_and_the_Adding_Machine" target="_blank">Major Organ and the Adding Machine</a>. Those are a few off the
top of my head. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What is the most important piece of gear for your sound? Any particular guitars/amps/pedals that you prefer? </b></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4bATx2lMJ_tMZfp3eOvauQhiYO-WaFOPTENERTiwT8ZLkYlgVpQfh6xdXmHGztAnOAusgSN6GSIedYLEuLX5tRR-EuUetiQ0WXlpdgEXxS8PC1qIKY1QQEGVohTSATN5iW-AAt5VeCCw/s1600/powerslide+1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="1350" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4bATx2lMJ_tMZfp3eOvauQhiYO-WaFOPTENERTiwT8ZLkYlgVpQfh6xdXmHGztAnOAusgSN6GSIedYLEuLX5tRR-EuUetiQ0WXlpdgEXxS8PC1qIKY1QQEGVohTSATN5iW-AAt5VeCCw/s200/powerslide+1.jpg" width="200" /></a></b></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I have a lot of guitars but I prefer to play Stratocasters.
I use an American Strat for standard tuning and a vintage Stratocaster
knock-off called a Johnson for an alternate tuning I sometimes use that I call
“llolly tuning” (DADF#F#A).Occasionally I’ll use this weird lap steel guitar
made by Peavey called a <a href="https://peavey.com/products/index.cfm/item/669/116780" target="_blank">PowerSlide</a>.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>What is your process for recording your music? What gear
and/or software do you use? What would you recommend for others?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">Everything’s demo’d first on a four track cassette machine.
I figure if it works on there, it has a better chance of working in the end.
Final recordings are done on Reaper. I like to use <a href="http://www.learningaboutelectronics.com/Articles/What-is-a-shotgun-microphone" target="_blank">shotgun mics</a> for vocals because the city is noisy and they
reject a lot of noise. For guitar I use lots of amp modeling software. As far
as effects go, I’ve been really into the <a href="https://u-he.com/products/colourcopy/" target="_blank">u-he Colour Copy
delay</a>—that’s all over “Down by Design.” I like a lot of the Acustica Audio
stuff too.</span></span><br />
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;"><br /></b>
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;">How did you produce the rich, lush lead sound that kicks
in twelve seconds into “Down by Design”?</b><br />
<div class="MsoNormalCxSpFirst">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">That might be a little hard to explain but I’ll
try. It’s a combination of things. Lots of distortion on a guitar with its tone
knobs turned all the way down. That’s going into a wah that’s also turned all
the way down so that it’s muffling the distortion. It sort of makes it sound
like a keyboard inside a glass tube. Once the wah gets lifted, all that guitar
growl comes bursting out through the side. So basically I ride the wah to make
this keyboard type sound morph into a heavy guitar sound as I play. It’s all
guitar though.</span></span></div>
<div class="MsoNormalCxSpFirst">
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;"><br /></b></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>How do you feel about the state of the music industry
today? There is no doubt a massive change underway. How do you see it and do
you feel it’s positive at all?</b></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I think maybe the people complaining about today’s
music industry are the people who came from the old music industry. They
remember a time when you could produce one record for a band and sit back
raking in royalties for the rest of your life I guess. Those days are gone and
those dudes are fucking pissed. Artists don’t need anyone to record them or sell
their records if they don’t want to. They contact fans directly if they have a
show or something new out. It’s an awesome time to be a band. I hope to god
there <i>isn’t</i> a music industry sometime in the near future.</span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
<div class="MsoNormalCxSpFirst">
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;"><br /></b></div>
<div class="MsoNormalCxSpFirst">
<b style="font-family: georgia, "times new roman", serif; font-size: 12pt;">Do you prefer vinyl, CD, cassette tape or MP3 format when
listening to music?</b></div>
<div class="MsoNormalCxSpFirst">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: 12pt;">I don’t care. Good songs are still good songs on any
format. </span></div>
</div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: center;">
<span style="line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=346526167/size=small/bgcol=333333/linkcol=9a64ff/track=2686833766/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://llollyanna.bandcamp.com/album/broken-wand-ritual">Broken Wand Ritual by LLOLLYANNA</a></iframe></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>If you had to choose one track that was the ultimate
definition of your sound, which would it be and why?</b><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">I was really happy with the way “Broken Wand Ritual” turned
out. Its ending was inspired by the Shangri Las and it's one of the songs my
friends like the most. </span><span style="font-family: "arial" , sans-serif;"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1BpzOYsuCPKjarvO0H1oWZm1W6KJhC4hvdIMF5zjCpcxrBA5MjqWIIy5f5ggV-inqBOiwMiziQ7oZlTGZ0-IIM-TTBZ0FhZ5zXtQqzWaR-oEvy7xvMS7grlgfTY2C4viaUDz2IM2R0dw/s1600/llollyanna.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="994" data-original-width="994" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1BpzOYsuCPKjarvO0H1oWZm1W6KJhC4hvdIMF5zjCpcxrBA5MjqWIIy5f5ggV-inqBOiwMiziQ7oZlTGZ0-IIM-TTBZ0FhZ5zXtQqzWaR-oEvy7xvMS7grlgfTY2C4viaUDz2IM2R0dw/s320/llollyanna.jpg" width="320" /></a></div>
When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-82980703347406303342019-03-01T13:07:00.000-06:002019-03-01T13:29:31.225-06:00INTERVIEW: Richard Millang of Bethany Curve.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3xHPmndeN1PbhYcr6EqUy8TZG8eX92CHpyECfCc-TUeLeeh1ieOL12SHUvIv5pa5AwoV4je-NMg5lE2ll237rHba7rtIvRiF_DsLS0lp6nuJBBvBHJzZXEnZJU0ftC37eB6Vvr0jqHOu/s1600/Picture2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3xHPmndeN1PbhYcr6EqUy8TZG8eX92CHpyECfCc-TUeLeeh1ieOL12SHUvIv5pa5AwoV4je-NMg5lE2ll237rHba7rtIvRiF_DsLS0lp6nuJBBvBHJzZXEnZJU0ftC37eB6Vvr0jqHOu/s1600/Picture2.png" /></a></div>
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<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><b><a href="https://www.bethanycurve.com/">Bethany
Curve</a> formed in 1994</b> in Santa Cruz, California with an original lineup
consisting of Richard Millang (vocals, guitar), Ray Lake (vocals, guitar), Chris
Preston (bass) and David Mac Wha (drums). At this time, the first-generation British shoegaze
bands like MBV, Lush and Slowdive were just beginning to fade away, but shoegaze wasn't truly over. By the time Bethany Curve released their 1995 debut, <i style="mso-bidi-font-style: normal;"><a href="https://bethanycurve.bandcamp.com/album/mee-eaux">Mee-Eaux</a></i>,
the second wave of 90s shoegaze was in full-swing, this time spearheaded by
American bands who were creating a slightly different sound.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The dark space-rock atmosphere of <i style="mso-bidi-font-style: normal;">Mee-Eaux</i> is an excellent example of how shoegaze
was evolving at that time. The genre's hallmark drones, distortion and ethereal
tones were all still very much in play, but Bethany Curve used that sonic
palette to plunge their sound into a much a darker abyss. Their spaced-out
melodies, powerful riffs, dirge-like bass lines and heavy drumming style created
an intoxicating backdrop for the haunting lyrics. The results were compelling and beautiful.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Since the beginning, the group has created music according
to a specific motto or code: Atmosphere | Arrangement | Sound | Layering |
Noise. This deliberate approach has served them well. </span><span style="font-family: "georgia" , serif; font-size: 12.0pt;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> Over the span of six studio albums, including the just-released masterpiece
<a href="https://bethany-curve.bandcamp.com/album/murder"><i style="mso-bidi-font-style: normal;">Murder!</i></a>,
the band has continued to
explore their sound in new and exciting ways. Today, their lineup
consists of original members Richard Millang and David Mac Wha, and
they've since added Nathan Guevara on guitar and Lisa Dewey as a
vocalist. </span></span><br />
<br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Songs like “<a href="https://www.youtube.com/watch?v=UJ8BV0W3xKI">Vanish</a>”, “<a href="https://www.youtube.com/watch?v=P1dsrTg1fAY">Door 2416</a>” and “<a href="https://www.youtube.com/watch?v=UtcJcpy3TN4">Long Beach</a>” were
practically life-defining for me on a personal level, and that’s just scratching
the surface of a back catalog that deeply influenced me and the way I listen
to music. I can’t express how proud and excited we are
to share the following interview with Richard Millang of Bethany Curve with
you.</span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">--Amber</span></i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">How
and when was the band formed?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">In April 1994, I saw 2 live shows that blew away
my 19-year-old mind. On April 2, 1994, Nate and I saw Cocteau Twins at the
Warfield in SF. Then on April 11, 1994 we drove down and saw Slowdive at the
Roxy in LA. In fact, Super Thirty One (a popular local shoegaze band back then)
opened for Slowdive. I remember watching both Super Thirty One and Slowdive and
thinking to myself with massive motivation, I’m going to start a f’ing band!
The next weekend, I was hanging posters all around Santa Cruz looking for
likeminded musicians. My posters referenced Cocteau Twins, Pixies, Slowdive,
and MBV. Within a couple weeks, Ray called me and invited me to come play with
him and Chris one afternoon to see if it’s a good fit. The very first practice,
we wrote the verse and chorus to the song “Walk In” from our record <i style="mso-bidi-font-style: normal;">Mee-eaux</i>. Within a couple months we
found David and that was it. Our first gig was in July 1994. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2294047339/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3925378239/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://bethanycurve.bandcamp.com/album/mee-eaux">Mee Eaux by Bethany Curve</a></iframe>
<br />
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><br /></span></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Can
you tell us what the band has been working on and what you've got forthcoming
in the near future (any new releases, tour, etc.)?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Releasing <i style="mso-bidi-font-style: normal;">Murder!</i>
was a very long and exhaustive and emotional process for me. Don’t get me
wrong, I absolutely love this record. But it was a tough haul. For me, this is
the purest expression of the BC sound. I was trying to do this on <i style="mso-bidi-font-style: normal;">You Brought Us Here</i> and <i style="mso-bidi-font-style: normal;">Flaxen</i> and only got close on some songs,
but I feel that I’ve finally harnessed the sound purely and consistently across
10 songs on <i style="mso-bidi-font-style: normal;">Murder!</i>.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The point being, this is all I’ve been working on
for years and now that it’s released, I’m sort of basking in the moment. Plus,
I’ve been working with the label on the lead up and post release stuff which
has been a crazy amount of work. You wouldn’t think so, but it is. Lisa and I
exchange emails and texts every day on new decisions relating to the record.
That being said, I’ve just starting to consider what may follow <i style="mso-bidi-font-style: normal;">Murder!</i>. I’m thinking about making a
tweak on the BC sound. Perhaps even changing up the writing and recording
process altogether. Also, we will likely remaster <i style="mso-bidi-font-style: normal;">Flaxen </i>and release it on vinyl within the next year. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I simply categorize our music as shoegaze because
it has the all the typical attributes. Like our long-time motto: atmosphere,
arrangement, sound, layering, noise, we’re very deliberate about this. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">But some context. When we completed our first
record, Slowdive was still a band, Lush was still touring and releasing
records, Pale Saints were still touring. I mean, in the mid-90s here in the US,
shoegaze was still growing even though it was out of style in the UK. So for
us, there was never a fear or concern being associated with shoegaze. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Regarding genres, I don’t have any issue with them
but I do understand how it could pigeonhole a band who might be trying to do
escape and something different or if the genre falls out of favor (like it did
in the UK). I could see that being frustrating. But genres do help listeners
mentally categorize by the sounds and styles they prefer. So it’s a convenience
but not scripture. And there’s the positive to genres in the way that they sort
of build a community around the bands within it. But if you’re someone who
obsesses with genres or tries to over-define them, then yes, it’ll probably be
tiresome and drive you nuts. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1439366016/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=175821754/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://bethany-curve.bandcamp.com/album/murder">Murder! by Bethany Curve</a></iframe>
<br />
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
do you think of modern shoegaze/dream pop/psychedelia artists, any favorites?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Truth being told, I’ve kind of been in a new music
lull, likely because I’ve been focused on getting <i style="mso-bidi-font-style: normal;">Murder!</i> completed and released. These aren’t specifically shoegaze
but some semi-current favs of mine include: HTRK, Warpaint, Exploded View, John
Maus, Odd Nosdam, Black Moth, A Place to Bury Strangers, Belong, Tame Impala,
Besnard Lakes, Beach House, and I thought the new Ride record was pretty okay.
I’m likely forgetting a whole bunch of others at the moment. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is the most important piece of gear for your sound? Any particular
guitars/pedals/amps that you prefer?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Yes, and anyone from our era will cringe at this.
I’m a die-hard Alesis Quad GT fool! The way the reverb is integrated into the
overdrive and compression is unmatched (for me personally). I spent years
testing out different rack units, pedals, latest greatest expensive shit,
whatever, nothing could come close. That in combination with a couple pedals is
basically it for me. I used to carry around this ridiculous pedal board setup
during the Skies and Gold era but over time as I started developing our sound with
consistency, I reduced the number of effects to just a few. Songwriting and
consistent textures became more important than stuffing a gazillion different
effects into a song. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is your process for recording your music? What gear and/or software do you use?
What would you recommend for others?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I’ve used Steinberg Cubase software for years. I
like it but I also realize that Pro Tools is kind of standard for most. My
recommendation is to find a platform that works well for you as an individual.
So important because you want a program that doesn’t distract you from your
music creation process. </span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">When
it comes to label releases versus DIY/Bandcamp and the like, what is your
stance, if any?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">All depends on what your goal is as an artist.
Labels have industry relationships and connections that we as a band do not.
And they also have experience releasing records and know the ins and outs. So,
it helps us a lot to not take on that headache alone. However, if you are first
starting out and money isn’t falling out of the sky, doing a self-release via Bandcamp
is a great way to go. And there are lots of great bands who self-released
everything. Just depends on what your goals are. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do
you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do
you have any strong feelings toward any of them?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Vinyl’s just sexy! It’s fun playing vinyl on the
record player and all the little steps involved and geeking out on the sound,
etc. That’s my preference but that’s also when I’m home and have the time to enjoy
it. Obviously in the car it’s about convenience and I default to digital. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1439366016/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=568194836/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://bethany-curve.bandcamp.com/album/murder">Murder! by Bethany Curve</a></iframe>
<br />
<div class="MsoNoSpacing">
<br />
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
artists (musicians or otherwise) have most influenced your work?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Probably no surprise from my earlier remarks, but
Neil Halstead from Slowdive, Robin Guthrie from Cocteau Twins and Charles
Thompson from the Pixies. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What
is your philosophy (on life), if any, that you live by?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Oh fuck! Really? Okay. It’s something like this: </span></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">1. Decide what you want, 2. Aim at it with
purpose, 3. Go make shit happen. </span></div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-1329145925369113432019-02-25T11:40:00.001-06:002019-02-25T11:49:28.084-06:00NEW SINGLE PREMIERE: Star Tropics | The Other Side of Midnight.<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwoesV6CKpoaSbSmmSo0qZvH3YT2vtUO0cKJiOuYdZ6Xd8UkkFor_LM4QaNIpovzhRCdklrYmtz3B-OoAtMyK_pL41oyM9QHmt5TrzEQC6aI81s3jbsYjfM40o8437d2EnR6Ou6YjRJI_g/s1600/ST+single+cover.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="365" data-original-width="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwoesV6CKpoaSbSmmSo0qZvH3YT2vtUO0cKJiOuYdZ6Xd8UkkFor_LM4QaNIpovzhRCdklrYmtz3B-OoAtMyK_pL41oyM9QHmt5TrzEQC6aI81s3jbsYjfM40o8437d2EnR6Ou6YjRJI_g/s1600/ST+single+cover.png" /></a></div>
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<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Chicago-based five-piece <span class="MsoHyperlink"><a href="https://draft.blogger.com/Star-tropics.bandcamp.com">Star Tropics</a></span> has just dropped a
gorgeous new single, the self-released “The Other Side of Midnight”, which
you can stream below, as well as purchase and stream on major platforms such as
<a href="https://star-tropics.bandcamp.com/">Bandcamp</a>, Spotify, iTunes,
Amazon, and the like. The single was recorded, mixed, and mastered by Adam
Stilson (who’s also a founding member of New Canyons). According to the band,
the title of the song is a nod to the Tony Wilson TV show of the same name. </span></div>
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<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">“The Other Side of Midnight” is the band’s first
new offering since 2017’s impeccable debut LP, <span class="MsoHyperlink"><i style="mso-bidi-font-style: normal;"><a href="https://star-tropics.bandcamp.com/album/lost-world">Lost World</a></i></span>,
and the song showcases a group at the top of their game. Their jangly brand of
dream pop sparkles brighter than ever, weaving twinkling guitar work, nostalgic
synths, and emotive boy/girl vocals into the perfect pop song tapestry. Echoes
of the golden age of Sarah Records permeate the song, but the crystalline
production and pitch perfect execution feel thoroughly modern and relevant. “The
Other Side of Midnight” is what proper pop music should be – timeless,
nostalgic, and youthful – and with an inherent, inexplicable magic running
through it. We’re utterly enchanted.</span></div>
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<br /></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=2396393854/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://star-tropics.bandcamp.com/track/the-other-side-of-midnight">The Other Side of Midnight by Star Tropics</a></iframe>
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span><br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">You can find and follow Star Tropics on <span class="MsoHyperlink"><a href="https://draft.blogger.com/facebook.com/startropicss">Facebook</a></span>, <span class="MsoHyperlink"><a href="https://twitter.com/startropicss">Twitter</a></span>,
and <span class="MsoHyperlink"><a href="https://www.instagram.com/wearestartropics/">Instagram</a></span>.</span></div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-86274488800070813412019-02-22T14:06:00.002-06:002019-02-22T14:06:51.584-06:00NEW EP AND VIDEO: d.e.b.b.i.e. | Drug Friends.<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvzGNumSH7wK_1Gw_Z4HkZDvh6YLiep-B3kivMWLdPNaK9_BzrGDXaj0fFYJlU3YpXHD4FCnzB5hEPcFVBnvyITzIGSa5C6M8VF5rJx6D2Lem5xg240GTaHWwbucrCD1nlnY7srljtHuH/s1600/Picture2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="312" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZvzGNumSH7wK_1Gw_Z4HkZDvh6YLiep-B3kivMWLdPNaK9_BzrGDXaj0fFYJlU3YpXHD4FCnzB5hEPcFVBnvyITzIGSa5C6M8VF5rJx6D2Lem5xg240GTaHWwbucrCD1nlnY7srljtHuH/s1600/Picture2.png" /></a></div>
<br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Mississippi based project <a href="https://www.facebook.com/d.e.b.b.i.e.musicDEBBIE/">d.e.b.b.i.e.’s</a>
sophomore EP, <i style="mso-bidi-font-style: normal;"><a href="https://debbiemusic.bandcamp.com/album/drug-friends">Drug Friends</a></i>,
comes out today and is available via Bandcamp. The EP features lead
single, “Ciao Neon”, which garnered plenty of well-deserved praise from
listeners </span><span style="font-family: "georgia" , serif; font-size: 12.0pt;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">after Amber aired it </span>on Wednesday night’s episode of WTSH on DKFM. </span></div>
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<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4182669487/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://debbiemusic.bandcamp.com/album/drug-friends">Drug Friends by d.e.b.b.i.e.</a></iframe>
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span><br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">The EP is a banger from start to finish, perfectly
blending shoegaze elements with darker flourishes of synthpop and post-punk. It’s
available digitally and also on limited-edition cassette (the latter with the
bonus inclusion of the band’s 2017 debut EP, <i style="mso-bidi-font-style: normal;"><a href="https://debbiemusic.bandcamp.com/album/cousin-larry">Cousin
Larry</a></i>). There’s also a new video for “Ciao Neon”, which you can watch
below!</span></div>
<div style="text-align: center;">
<br /><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="318" src="https://www.youtube.com/embed/T_WsuARiL84" width="565"></iframe>
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WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-33160050465292010492019-02-22T13:46:00.000-06:002019-02-22T14:06:58.175-06:00NEW SINGLE: DAODA | Swimming.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCWjJKdVLtgm1qzlbii_4SRFNpPL9bwkeeaKgCMy2FOAQZykAImxuXdKbED-ptCb2ZsriauPoP61HuD4EohDxGfewY3vHHOX0yl2O5ZQunDV2xBVPVgmwPW4F5okiD9JaUabU6gWDQ9gd2/s1600/Picture11.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="346" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCWjJKdVLtgm1qzlbii_4SRFNpPL9bwkeeaKgCMy2FOAQZykAImxuXdKbED-ptCb2ZsriauPoP61HuD4EohDxGfewY3vHHOX0yl2O5ZQunDV2xBVPVgmwPW4F5okiD9JaUabU6gWDQ9gd2/s1600/Picture11.png" /></a></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
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<br />
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">New York based solo project <a href="https://draft.blogger.com/bit.ly/daoda_fb">DAODA</a> has released a brand new single, “Swimming”,
which is now available as a pay-what-you-want track <a href="https://daoda.bandcamp.com/track/swimming">via Bandcamp</a> (you can also
stream it on <a href="https://draft.blogger.com/bit.ly/daodadaoda">Spotify</a> if that’s your preferred
go-to for music consumption). The new song ventures a bit further into the
realm of psychedelic pop than DAODA's previous offerings, and the chillwave vibe works
nicely with the project’s sonic palette and approach to melody. Have a listen and keep an eye out for future offerings from DAODA!</span></div>
<br />
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=2226625103/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://daoda.bandcamp.com/track/swimming">Swimming by DAODA</a></iframe>WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-23441186043227530042019-02-22T13:18:00.000-06:002019-02-22T13:18:50.227-06:00INTERVIEW: Colourway.<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIqLB_-UPLMh-aLECdcEqHSNRC6bZy23ZxBD_cWR779Rliq1lxsI7sMX7ABGUi0XeuMSvY8ucVQnnT7X1X6ECdJZhbcYiVhP7hLlNrUrnSKGGqVxCT4KmEwPjTIaIekXPy6nQFbbLsDtM-/s1600/Picture9.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIqLB_-UPLMh-aLECdcEqHSNRC6bZy23ZxBD_cWR779Rliq1lxsI7sMX7ABGUi0XeuMSvY8ucVQnnT7X1X6ECdJZhbcYiVhP7hLlNrUrnSKGGqVxCT4KmEwPjTIaIekXPy6nQFbbLsDtM-/s1600/Picture9.png" /></a></div>
<br />
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><b>Fredericksberg,
Virginia based Colourway</b> is a relatively nascent project, as far as releases
are concerned. A debut EP, <i style="mso-bidi-font-style: normal;"><a href="https://colourwayva.bandcamp.com/track/work">Coming Undone</a></i>, came out in October 2o18, and a follow up EP, <i style="mso-bidi-font-style: normal;"><a href="https://colourwayva.bandcamp.com/album/seed">Seed</a></i>, emerged
in December 2018. In this short span of time, Colourway has made a
big impression on us. Happenstance brought us to Colourway’s Bandcamp page when <i style="mso-bidi-font-style: normal;">Coming Undone</i> was
released, and frankly, we haven’t stopped listening since. The heavy, expansive
squalls of guitar and catchy songwriting sound as though they’re being
transmitted directly from the sludgy, downtempo heaven of our dreams. There’s a
touch of 90s grunge around the edges, but don’t let that throwback tag limit your
imagination – there’s a lot more going on here. Colourway’s
melodic song structures are also the perfect backdrop for some seriously
anthemic lyrics – the sort that beg to be sung along with in the privacy of
your car or bedroom. </span><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do enjoy getting to know
more about this excellent new project in the interview below. We can’t wait to
hear what Colourway drops next.</span></div>
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<br /></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3354937630/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3052844287/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://colourwayva.bandcamp.com/album/coming-undone">coming undone by colourway</a></iframe><span style="font-family: "georgia" , serif; font-size: 12.0pt;"></span></div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">How and when was the band
formed?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">Colourway
was an idea I had back in 2016. I didn’t have a particular sound in mind, but
rather the idea to make music that moved me, that flowed and put it out as a
project that had no deadlines or limits. I wanted to be able to write, record
and release music at my own pace. I didn’t want the project to be hinged on the
image of the band or the social media presence of the band. I just want to put
out music and if people like it and want to listen then that’s fantastic. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Can you tell us what the
band has been working on and what you've got forthcoming in the near future
(any new releases, tour, etc.)?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I
am always working on music and running ideas and riffs through my head. There
are no plans to tour or perform live any time soon. I have been jamming a
couple of the songs with a few friends but there are no plans as of now for
that aspect. I’d love to eventually play lives shows here and there. The plan
is to keep writing, recording, and making releases.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3354937630/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=2685496272/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://colourwayva.bandcamp.com/album/coming-undone">coming undone by colourway</a></iframe>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">So
I actually had never heard of shoegaze or dream pop until I started releasing
little clips of videos and songs on the Colourway Instagram page. People would
post things like “shoegaze revival” and shoegaze related comments so I
obviously wanted to check it out and see what people were referring to. I’m
happy to be associated with shoegaze or dream pop if that is what people feel
Colourway relates to. I like a lot of what I’ve heard from those genres. In
general, I think genres are good and bad. It helps us more quickly identify
what like and dislike as consumers of art. At the same time that can keep us
from experiencing new forms of art. I’m proof of this. I would have never heard
of shoegaze if not for people telling me that’s essentially what I was writing.
I also think being associated with a genre can lead artists to box themselves
in and not stretch the creative muscles enough. For this reason, I probably
still won’t listen to a whole lot of shoegaze and dream pop because I know that
I will start subconsciously reaching for that sound. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What do you think of
modern shoegaze/dream pop/psychedelia artists, any favorites?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I
love it. I love that these genres seem largely untouched by modern
over-production or commercialization. These seem like genres that have
maintained their truth. I really appreciate that. I have been enjoying
“sleeping in”. “Wither” is sick. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What is the most important
piece of gear for your sound? Any particular guitars/pedals/amps that you
prefer?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I’d
have to say Garageband. The Garageband that came on my Macbook Air is what I
use for recording, mixing, and mastering. I think it works well for now so I’ll
be relying on that unless something else starts working better for me. I don’t
want to give away too many of my secrets but my recording set up total costs me
less than ~$600. I just stick with what works. </span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2577509972/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=200042195/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://colourwayva.bandcamp.com/album/seed">seed by colourway</a></iframe>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What is your process for
recording your music? What gear and/or software do you use? What would you
recommend for others?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">My
process usually starts with a small piece of a song, whether that be a riff, a
lyric, a melody, etc., and then I just start building off of that. I try not to
overthink the song. Like I said before, it has to just flow and move me. Once I
have most of a song written and recorded I take it on a drive and test the drivability.
If you can’t drive to a song then it might be missing something. I love songs
that are driving songs. I think the newer song I’ve put out called “Sinking //
Burning” is such a drivable song. Try it out. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">As
far as my software and gear; I use Garageband almost exclusively. I use a $200
interface that comes with emulation software. That’s all I wanna say. My mic is
a Perception. It’s a cheap one. Maybe like $200. I also have some used monitors
I bought from a friend like 7 years ago for about $150. I think they are BX5?
My advice to someone when it comes to music in general, especially recording
and writing, would be to just keep it simple. If you feel like you’re trying
too hard, stop and reevaluate. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">When it comes to label
releases versus DIY/Bandcamp and the like, what is your stance, if any?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I’ve
always believed that if you can get some financial backing, management and
promotional help, all of which is allowing you to focus more on your music,
then I see nothing wrong with that. I don’t care what anyone says, if you can
make a living playing music then why would you not want to do that. I do see
problems with losing your integrity as an artist. Don’t do that. That is not
worth the money. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">Do you prefer vinyl, CD,
cassette tape or mp3 format when listening to music? Do you have any strong
feelings toward any of them?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I
am fully invested in the mp3 and streaming life. I love Spotify. I do have a
small selection of vinyl and a sweet record player that I definitely
appreciate. I reserve my vinyl selection to my very favorite bands. I have a
few from Dawes, Radiohead, and Gleemer that I cherish and listen to. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What artists (musicians or
otherwise) have most influenced your work?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I’d
say I get a large influence from attitudes and feelings associated with music.
I get a lot of the darker aspects of my music from hardcore and death metal. If
I had to name a band or two I’d point out Deftones, Radiohead, Superheaven,
Gatecreeper, and Behemoth. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3354937630/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=4219057700/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://colourwayva.bandcamp.com/album/coming-undone">coming undone by colourway</a></iframe>
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;"> </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "georgia" , serif; font-size: 12.0pt;">What is your philosophy
(on life), if any, that you live by?</span></b></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">My
biggest philosophy on life is to make as little impact on others lives as
possible. I don’t want to bother anyone or get in anyone else’s way. Life is so
hard and I don’t want to make it harder on anyone else. Like, I want to be a
shadow in everyday life; existing but not really noticed. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;">I
also try not to have expectations. I think it is unfair to expect anyone to
live up to a standard that you have manifested in your own mind. Everyone is
doing the best they know how to do and I believe that is okay. </span></div>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-18116062811593770762019-02-22T13:16:00.000-06:002019-02-22T13:16:37.143-06:00NEW SINGLE: XO | Open Your Heart. <div class="separator" style="clear: both; text-align: center;">
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<div class="MsoNoSpacing">
<span style="font-family: "georgia" , serif; font-size: 12.0pt;"><b>Los
Angeles trio XO’s</b> new single “Open Your Heart” can only be classified as
jangly, noise pop perfection. The song is taken from their forthcoming sophomore
LP, <i style="mso-bidi-font-style: normal;"><a href="https://xotheband.bandcamp.com/album/wonder">Wonder</a></i>, which is set
for release on April 19. It’s been five years since the band’s debut LP, the
beguiling and much-beloved <i style="mso-bidi-font-style: normal;"><a href="https://xotheband.bandcamp.com/album/heart">Heart</a></i>, so it should go
without saying that this release is highly anticipated. Pre-orders for the
album are now being taken, so head over to XO’s <a href="https://xotheband.bandcamp.com/">Bandcamp page</a> and set yourself up
with a limited-edition cassette or a digital copy. While you’re there, grab one
of the freshly printed T-shirts – they’re going to go fast. <span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNoSpacing">
<br /></div>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3331830432/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3137265976/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://xotheband.bandcamp.com/album/wonder">Wonder by XO</a></iframe>
WTSHamberhttp://www.blogger.com/profile/07521902297416001470noreply@blogger.comtag:blogger.com,1999:blog-669420756313929302.post-65445905298809626172019-02-15T12:20:00.000-06:002019-02-15T12:20:56.787-06:00WTSH Exclusive Single Premiere: Astragal | Moderne Luxury.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4lzk7uZXoxR4MKNvzBtEUJy_ruADclpVSZ29ZnuhOssFOArMAQwSogBTCRfx8mrEpPrewPCWhyJfdIinY9PQu__aA6SGmNPy6-btd8UMg3Nk44mgYQnUSaYcPeoh2H7C6dUOHB8pf4M/s1600/snipped+%254090.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="515" data-original-width="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4lzk7uZXoxR4MKNvzBtEUJy_ruADclpVSZ29ZnuhOssFOArMAQwSogBTCRfx8mrEpPrewPCWhyJfdIinY9PQu__aA6SGmNPy6-btd8UMg3Nk44mgYQnUSaYcPeoh2H7C6dUOHB8pf4M/s1600/snipped+%254090.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Photo by <a href="https://www.instagram.com/disintergrati0n/">Disha Khakheria</a>.</td></tr>
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<span style="font-size: 12pt; line-height: 107%;"><a href="https://astragal.bandcamp.com/"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Astragal</b></span></a><span style="font-family: "georgia" , "times new roman" , serif;"><b>,
based in Houston, Texas, offers songs with classic post punk bones</b> fleshed over
with shoegaze textures. Guitarist and singer Jimmy Bent’s voice and performance combine
with production approach to result in a distinctive vocal sound, a space
from which, in the trio’s new single “Moderne Luxury”, Bent projects both anguish
(among other tones of emotion) and delicacy while keeping the hooks on board.
The opportunity to give this track its official web premiere—closely following
its broadcast premiere on the most recent episode of <a href="https://decayfm.com/shows/when-the-sun-hits/">"When the Sun Hits"</a> on <a href="https://decayfm.com/">DKFM Shoegaze Radio</a>—truly
makes us smile.<o:p></o:p></span></span></div>
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<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: "georgia" , "times new roman" , serif;">“Moderne Luxury” will appear on the band’s second EP, <i>EP II</i>, which drops as a digital release on March 1, 2019.
The label, Houston’s <a href="https://wallflowerrecords.org/">Wallflower Records</a>,
is fast becoming a WTSH favorite. Expect more about <a href="https://www.facebook.com/Astragalband/">Astragal</a> and <a href="https://www.facebook.com/WallflowerRecords/">Wallflower</a> here in the
coming weeks.</span></span></div>
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When The Sun Hits - All things shoegaze.http://www.blogger.com/profile/00946603521948160405noreply@blogger.com