you resource for all things shoegaze & dream pop.

you resource for all things shoegaze & dream pop.

30 December 2016

WTSH Interviews Vivienne Eastwood.


Brooklyn-based four piece Vivienne Eastwood first came to our attention this fall, after the release of their fantastic Shook EP. Immediately enamored, we went on a quest to find out more about this crew. Our discoveries are recorded below – we hope you enjoy them. If you haven’t heard Shook yet, we recommend it highly. You’ll be smitten as soon as you hear the opening track, just as we were.

How and when was the band formed? Vivienne Eastwood started around 2012. I moved into an apartment on Grand St in Williamsburg. (LG from the band Dead Leaf Echo was moving out and I got his old room!) I didn’t realize it at first, but I was right around the corner from my friend Jenny's apartment. She had a drum set at her place and her neighbors didn't seem to mind too much when we would play. So most of the Viv East songs started out as just guitar and drum jams. I had been playing electronic music for a while prior to this, and it felt good to dig out some old distortion and chorus pedals and focus on guitar based music.

A little while later my friend Lindsay joined us playing synthesizer. She played bass lines and lead parts at the same time on a Roland Juno 1, and sang harmony, and it sounded rad! We shot a music video in the Hamptons for our song “Facelift”.  Lindsay moved to LA, and we slowed down for a bit… continued to write songs.  One time we played a show at Cake Shop that was just Jenny and I. Eventually, our friend Bailey started playing bass with us, and we asked this guy Phil to play lead guitar with us. We released an EP in October called Shook and we play shows around Brooklyn pretty frequently.


Can you tell us what the band has been working on and what you've got forthcoming in the near future (new releases, tour, etc.)? We’re working on a music video for our song “Nons” which will likely feature some really cool aquarium footage!  Bailey and Phil have a ton of cool images worked up for merch, so we hope to have some real slick t-shirts soon. Jenny has been getting pretty deep into electronic music, she’s been working on a side project called “Alien Kisses,” which sounds real dark and synthy! 

Besides that, we have a bunch of new material that we’ve been working on in this new lineup. We’re starting to organize the material into two categories: “fuzzy” and “jangly.” I’ve been playing around with the idea of releasing two different albums, one for each sound or style, so watch out for that! And we’re all getting our passports renews so that we can do a world tour in 2017!!


Do you consider your music to be part of the current shoegaze/dream pop scene, or any scene? Defining one's sound by genre can be tiresome, but do you feel that the band identifies closely with any genre? How do you feel about genres in music, in a general sense? Yeah, sure, I think we set out to try to write music in the style of shoegaze and 90s UK indie rock. We’ve tried to pull some grunge into the mix as well. More generally speaking, I think we’re trying to sound “pretty” and “aggressive” at the same time. I’m really interested in different guitar textures and layering. I’m really into effects pedals and playing with guitar tone. Some might call that shoegaze or dream pop or whatever. I think these ‘genres’ are fine as long as it’s descriptive and helps you to understand the music.

What do you think of modern shoegaze/dream pop/psychedelia artists, any favorites? I mostly enjoy the modern stuff.  I recently downloaded a couple of Pinkshinyultrablast albums… they’re amazing! And I’ve seen Wildhoney play a couple of times in Brooklyn, they sound sooo good live!  I’ve been listening to You’ll Never Get To Heaven & Grouper a lot at the homestead. 

What is the most important piece of gear for your sound? Any particular guitars/pedals/amps that you prefer? I’ve been using the Eventide Space pedal at our live shows lately. I’m just starting to get into the variety of types of reverb you can work with on that thing… it is insane the amount of signal processing you can do! I like to use a couple different kinds of fuzz and overdrive pedals, and I believe that Phil and I both prefer the sound of a single coil over humbucker pickups. 

What is your process for recording your music? What gear and/or software do you use? What would you recommend for others? Our process for recording is changing a lot right now. I used to make demos of Viv East songs with drum machine samples and direct guitar in Ableton and be really happy with the outcome, but lately we’re trying to get a larger, more produced sound. We recorded most of the drums on the Shook EP with Drew Citron from the band Beverly at this place called Alphaville. Recording drums in a large space was a nice departure from the sound of really crisp drum machine samples.  I like both sounds though… I guess it depends on the song.

Can you tell us a little about the band’s song writing process? I’ll write guitar parts by using a loop pedal, and present stuff to the band and try to come up with interesting arrangements for everything.

When it comes to label releases versus DIY/Bandcamp and the like, what is your stance, if any? So far we’ve only released our music independently. There’s certainly a lot of instant gratification in doing this, but I think we’re interested in working with a label someday. 

Do you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do you have any strong feelings toward any of them? I prefer mp3s right now… better yet, wav files! 

If you had to choose one track that was the ultimate definition of your sound, which would it be and why? For me, for a while, it’s been “Rose Pedals,” or at least that’s been the sound I’d like to strive for. But it’s been really fun to see things develop and move away from that sound too. I imagine the next "fuzzy" EP will sound more like “Rose Pedals.”


Can you tell us a little about what you are currently into (books, films, art, bands, etc.)? Lately, I’ve been reading Jean Baudrillard’s “In the Shadow of the Silent Majorites.” 

What artists (musicians or otherwise) have most influenced your work? “I can only write music when I’m looking at a Kandinsky!”  Lol not.

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