you resource for all things shoegaze & dream pop.

you resource for all things shoegaze & dream pop.

12 July 2011

Interview: Seiken Nakama of Foxtail Somersault.

Foxtail Somersault is a 5 piece dream pop group based in San Francisco, California. Formed in 2004 by guitarist Seiken Nakama, the band has since released two EPs: 2007's Fathom and last years excellent Reflection, with a full length in the works as we speak. We recently sat down with (well, we both sat down at our computers and emailed each other) Nakama and talked a little bit about the band's history, their influences, equipment, and lots of other fun stuff!

How and when was the band formed?

Foxtail Somersault was formed in 2005 when my friend Winston wanted to form a cover band to perform a party, I had been in few music projects in Los Angeles previously, but put music on hold for several years for personal reasons. I had such a great time performing at the party, that it sparked the desire to form Foxtail Somersault. Moving on to our current line up, both Brian and Elizabeth Anderson (no relations) both joined FS after responding to ads on Craigslist we had posted. Most of the music I compose, starts on a multi-track recorder and I add layers and layers of guitars, final versions of songs really require an addition guitarist, so when I heard that James' band Morningspy were going to take a long haitus, I had been a fan of Morninspy, and I thought James could really help FS, little did I know at that time that he would become the glue that holds FS together. Fortuitously, we were both in attendance at a Tomihira show, when I asked James to join FS. Mark Loftin was also in Morningspy, and would eventually join FS.

Can you tell us what the band has been working on and what you've got forthcoming in the near future (new releases, tour, etc)?

We're currently working on a full length release that hopefully will be finished before the Winter.

Do you consider Foxtail Somersault's music to be part of the current shoegaze/dream pop scene, or any scene? Defining one's sound by genre can be tiresome, but do you feel that the band identifies closely with any genre? How do you feel about genres in music, in a general sense?

What we really feel a part of is our local San Francisco shoegaze/dream pop scene, it's small enough that we all know, respect, and support each other.

In a general sense, genres make it easier for people to find similar sounding artists, I don't really mind how people classify us.

Foxtail Somersault. Motionland.

What do you think of modern shoegaze/dream pop/psychedelia artists, any favorites?

Love them all, The Meeting Places, Experimental Aircraft, SPC ECO, Amusement Parks on Fire, Starry Saints, Stripmall Architecture, Spacewaves, Astral, Tomihira, Vir, etc...the list goes on and on.

What is the most important piece of gear for your sound? Any particular guitars/pedals/amps that you prefer?

The most noticeable guitar effect I use would be an alesis reverb. I really dig Fender
guitars, especially Jazzmasters and Jaguars. As for amps, I usually play out with a DR. Z Maz Jr. and a Mesa Lonestar, for recording higher gain material, I love my Marshall JTM45.

How do you feel about the state of the music industry today? There is no doubt a massive change underway; how do you see it and do you feel it’s positive at all?

The costs of recording and releasing music has come down significantly, there's so many more independent artists releasing material. 10 yrs ago, the first iPod was releasing, there was no Apple Store, or any digital music stores, you had to be on a label with decent distro to be heard. I really like how accessible music is now, but on the other hand it's difficult to relate to a world without physical record stores. One thing I really hate is the death of the album, it’s seems like it's singles world these days.

When it comes to label releases versus DIY/bandcamp and the like, what is your stance, if any?

We're DIY all the way, we record, mix, and master our tracks.

Foxtail Somersault. Escalator.

Do you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do you have any strong feelings toward any of them?

Each format definitely has it's place, when casually listening to music, I like the portability of mp3s, when critically listening to music at home, I prefer hi-fi formats like SACD, DVD-Audio, and Blu-ray audio. When mixing and mastering your own music, you can really hear the difference when converting and mixing down audio from 24bit to 16bit. The only problem with the hifi formats is the lack of content, there's only a dozen or so releases worth owning, but all is not lost, I'm really excited by the vinyl resurgence in the past 5 years, it's definitely my 2nd format of choice. I've A/B'd mixes of CDs and vinyl, and generally there's a slight mid-range push on vinyl mixes which sounds warmer, and more pleasing to my ears.

What artists (musicians or otherwise) have most influenced your work?

When I first listened to Psychocandy by the Jesus and Mary Chain, back in the late 80’s my life forever changed, I’ve been a feedback junkie ever since. I had a similar experience when I first listened to Loveless by MBV, I just couldn’t get over the guitar tones Kevin Shields was creating. I'm also a huge fan of the Cure, Robert Smith’s melodies can make me teary eyed.

Can you tell us a little about what you are currently into (books, films, art, bands, etc)?

Currently I’m digging the latest releases from Mogwai and Explosions in the Sky.

If you had to choose one Foxtail Somersault track that was the ultimate definition of your sound, which would it be and why?

That's really a difficult question to answer, and while I can't really speak for the rest of my mates, I'm sorry to disappoint with this answer, because it's a new track I'm working on, currently untitled.

Can you tell us a little about the band’s song writing process?

It really differs and is dependent on who originates the idea. I tinker mostly at home, I usually start out playing a bass line or guitar riff, then work from there. I'll work on a simple percussion
loop to accompany the initial bass and guitar parts, and begin layering guitars. Once I've developed the foundation for the track, I'll share the track with my mates, and they'll begin learning and improving the track. James, Brian, Mark nor I ever write lyrics or have intended vocal melodies for our ideas, so Beth really has free reign.

What is the band’s goal for 2011?

Release a full length.

What is your philosophy (on life), if any, that you live by?

Live life like it's your last day.

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