WTSH
Album Review:
Be
Forest || Earthbeat
(We
Were Never Being Boring, 2014)
Review by Ellie Sleeper
Be Forest have transformed. It
should be apparent from the addition of a new member on keyboards and the new
artistic directions they’ve been taking lately, but neither of these factors
alone truly encapsulate the somewhat drastic change in the Italian bands’ sound.
Things are not only warmer and more vibrant, they are also far busier. For
those accustomed to the sense of space on prior releases such as “Dust” or the
now-classic cover of Japandroids’ “I Quit Girls”, this may prove difficult to
digest. It’s not that the writing is bad—quite the opposite is true—but the
aesthetic has changed so much in a few noticeable ways; a synthesized sheen
twinkles in the distance, new and exotic instrumentation lends intrigue to
melodic departures, and the focus is quite obviously on percussion, which was
perhaps the sparsest element of anything Be Forest did as a trio.
The
emphasis on percussion is actually the hardest part of the new formula to
swallow. There was a certain charm to the visceral and minimal approach to drums
Be Forest had taken before. Erica Terenzi’s stand-up drumming was as much a
signature of the sound as anything; her cavernous floor tom was so distinct and
instantly recognizable. At best the new clinks, clacks, and chimes are joyful,
celebratory, and a spirited addition to a formula that could occasionally be
very bleak. At worst, however, they feel an unnecessary addition tacked on at
the last minute. There remains a sense that the sound could be finessed,
however, which is a hopeful prospect. When dynamics shift and claustrophobic
passages open into breaks and lulls with more breathing room, or when the
opposite happens too, the addition or removal of tension adds interest and
variety that really, really works.
To
be fair, perhaps the more frenetic drumming simply sounds out of place because
so many new and ambitious things are happening elsewhere in the songs. Without
question, all four members play their hearts out on Earthbeat. New player Lorenzo Badioli has obvious musical chemistry
with guitarist Nicola Lampredi, most evident when he chooses key voices that
sound more mischievous or playful behind the walls of reverberation. Lampredi’s
tone has always sounded like shattered glass, and the contrast of frolicsome
and almost innocent backing hooks against Lampredi’s now indescribably
monolithic sound is flawless. Both gentlemen simply must be commended for how
well they mesh together. This is best exemplified by the slinking, flute-like
instrumentation Badioli utilizes in “Sparkle”, which may be the album’s
strongest song.
Vocalist/bassist
Costanza Delle Rose also completely unleashes everything within her arsenal, as
Earthbeat features some of her most
tireless fretwork ever. In spite of the breakneck speeds at which she sometimes
plays, she manages to soar more than ever vocally. The sound and the dichotomy
is pure, otherworldly, ethereal bliss. One listen to “Lost Boy” would be enough
to illustrate this perfectly; the pace is exhausting, but it never sounds as
though she or any of the other members break a sweat. As always, they remain
spectral and unflinching.
While the faster numbers do imbue three-fourths of the band with a newfound strength, it is truly the slower tempos which favor Terenzi’s shift in playing style, allowing her creativity to truly speak for itself. “Ghost Dance” shows a certain control and a very austere atmosphere, but it is on “Totem II” where all of her new ideas shine the most. The playing is inspired and not overly-repetitive, and it’s flexible enough to let the intricacies and quirks of the other instruments be more recognizable. Going forward, it may be wise for the four to continue to play with dynamics and space within songs, and with variations in tempo across albums, as Earthbeat certainly benefits from these moments of variety.
While the faster numbers do imbue three-fourths of the band with a newfound strength, it is truly the slower tempos which favor Terenzi’s shift in playing style, allowing her creativity to truly speak for itself. “Ghost Dance” shows a certain control and a very austere atmosphere, but it is on “Totem II” where all of her new ideas shine the most. The playing is inspired and not overly-repetitive, and it’s flexible enough to let the intricacies and quirks of the other instruments be more recognizable. Going forward, it may be wise for the four to continue to play with dynamics and space within songs, and with variations in tempo across albums, as Earthbeat certainly benefits from these moments of variety.
Overall Evaluation: 8.2
Standouts:
“Hideaway” || “Sparkle” || “Ghost Dance”
Buy It Because – Be Forest are the biggest they’ve ever
been sonically, and they show off without hesitation here. If you ever wanted
to know just how much all of the members of the band were capable of before, Earthbeat should leave no questions. The
addition of a new member adds volumes without subtracting anything, which is
surely a rare feat for bands of any caliber or genre.
Goes
Great With:
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