ALBUM REVIEW: Zombie Girlfriend—Wind
The 8 songs on Wind
prove that Zombie Girlfriend has not only returned, but triumphantly so. The
album kicks off with “Echo Echo”, a soaring jangle-pop affair that manages to capture a sense of suspended euphoria in less than 2 minutes. I live for suspended euphoria, so my
only problem with “Echo Echo” is that it’s too damn short! However, the song does serve as a pitch-perfect preamble for what’s to come.
The next track, “Bubblegum”, is a psychedelic pop
confection meant to be enjoyed with the windows down on a warm, sunny day. Utterly anthemic. The
album then switches gears as it moves into the driving motorik of “Don’t Fall
in Love”, mesmerizing the listener with hallucinogenic washes of
guitar and a punchy, punk-like vocal delivery. It's the sonic equivalent of revving a motorcycle engine and gleefully speeding off, leaving everything and everyone in the dust as you hit the open road.
The title track marks the album's halfway point and continues to carve out
an adrenaline-fueled path with head-bobbing drum work and sweet vocal
melodies awash in blissful reverb. The effervescent “Electric Wedding” is probably my favorite song
on the album, its low-key surf-rock vibe shot through with threads of acidic, controlled
guitar noise. The underlying tension in the song is extremely interesting—a pop song underscored by a live wire. “The Only Boy on the Planet” is a close second-favorite; the fizzy-sweet
jangle pop melodies and psychedelic flourishes are catchy as hell, bringing to mind the pure pop simplicity of Magnetic Fields filtered through the distorted lens of The Jesus and Mary Chain.
The hazy closer, “The Small Rain”, brims with reverb-drenched
guitar and dreamy vocals that slowly fade out, gently releasing the listener
from Zombie Girlfriend's kaleidoscopic, sunny, psych-tinged world back into reality. Naturally, I
started the record over immediately and did it all again; one spin just
isn’t enough and reality is overrated. —Amber
INTERVIEW: Benedek Szabó of Zombie Girlfriend
How
and when was the band formed?
I recorded the first Zombie Girlfriend LP in a
children’s library during the lonely winter days of 2010. I was still living in
my hometown at the time. I moved to Budapest shortly after that and formed a
band because I wanted to play live. Back then there was a minor resurgence of
bedroom pop in Hungary, called ‘the lo-fi boom’ and Zombie Girlfriend more or
less fit into that scene. Our live sound
was always a bit helter-skelter—we couldn’t really capture the feel of the
recordings. We had a great time, released some stuff but it didn’t last too
long; in 2013 the band went on an indefinite hiatus. We haven’t stopped playing
music, but it was only in 2016 that we started playing together again with a
slightly different lineup. That was the first time the band sounded like I
wanted it to sound. So—long story short—Zombie
Girlfriend is actually a really old band. Gosh!
Can
you tell us what the band has been working on and what you've got forthcoming
in the near future (any new releases, tour, etc.)?
Our new LP Wind
is the first thing the band released in five years and the first ever Zombie
Girlfriend album recorded with live drums. It’s funny because our drummer
Eszter has been with us since 2011 but we never had the time or money to go to
a studio before, so I used programmed drums instead. I think it really shows.
We went on a brief European tour in February and we’re planning to do the same
next year. Maybe it will be a little easier to book gigs with a new record in
tow. Actually, I feel this might be a better time for this kind of music than
back before our hiatus. So I’m
definitely not planning to wait 5 years before our next LP.
Do
you consider your music to be part of the current shoegaze/dream pop scene, or
any scene? Defining one's sound by genre can be tiresome, but do you feel that
the band identifies closely with any genre? How do you feel about genres in
music, in a general sense?
I started to call our music dream punk because it
often merges the simplicity of punk with the sonic aesthetic of dream pop.
Dream pop and shoegaze are still painfully absent from the Hungarian music
scene; most young bands tend to play 60s throwback psychedelic rock or
Horrors-esque stuff (and a few of them are truly great) but it’s really hard to
find anyone who could belong to the same scene as us—if there was such a scene
to begin with. Genres and scenes can be really important when you try to define
yourself and reach out to other people, but I think one shouldn’t stress about
them too much.
What I like about most shoegaze and dream pop
bands is the way they sound. I fell in love with these vast oceans of reverb
and churchlike vocal harmonies long ago. But it’s also true that lots of these
bands offer way more in terms of sonic craftsmanship than songwriting. I love
it when the songs are just as great as the sounds they’re covered in. My
current favorites include Soft Science, Furniteur, Beach Fossils, Silver
Shadows, Flasher, Anemone and Klaus Johann Grobe. I’m really into psychedelic music, though not
those 60s-indebted guitar bands that are so popular right now—so no love for
King Gizzard, Allah Las and the like from me. One of my favorite bands is Black
Moth Super Rainbow and Tom Fec’s other project, Tobacco. Talking about the
classics…of course I’m amazed by Slowdive and My Bloody Valentine. Oh, and I
love Broadcast unconditionally.
What
is the most important piece of gear for your sound? Any particular guitars/pedals/amps
that you prefer?
Shame to say but I’m not really a gearhead. Dávid,
our ex-guitarist used to have this huge carpet of effects. He loved fiddling
around with them. Since we’re a trio
now, I needed a meatier guitar sound so I recently bought a Fender Blacktop
Jaguar. I have a Fender Hot Rod DeVille amp, a vintage Boss RV-2 digital reverb
pedal, a Boss SD-2 overdrive and a Zoom G3n for some modulation effects. If
you’re a guitarist and you read this, feel free to laugh at me!
What
is your process for recording your music? What gear and/or software do you use?
What would you recommend for others?
Before Wind
I always used Cubase 5 and a simple external sound card. Some of those bedroom
recordings still sound great. I still find it magical that you can now record
an album on your own. When I started playing music it still seemed impossible. Wind was also recorded with Cubase but
this time we had an engineer and we used decent microphones and amps for the
guitar parts. The drums were recorded in a separate studio. I always say that
if a song is really good it doesn’t really matter how it sounds, but I have to
admit it feels really good to listen to our new LP. I’d say if you have the chance, try both
ways. You can learn a lot.
When
it comes to label releases versus DIY/Bandcamp and the like, what is your
stance, if any?
I think labels don’t really matter anymore in
terms of music distribution. You can release anything and put it up on Bandcamp
if you like. Bandcamp is a great thing. It was a relatively unknown site when
Zombie Girlfriend started and it’s astonishing to see how far they’d come. What
really matters is booking and management—and I think it’s still really hard to
do on your own. So I’m secretly hoping that one day someone will come along and
say ‘hey, I’d love to organize a tour for you guys. I know that most probably
it will never happen. But still, it’s nice to dream about it.
Do
you prefer vinyl, CD, cassette tape or mp3 format when listening to music? Do
you have any strong feelings toward any of them?
Cassettes are forever in my heart because the
cassette was my preferred format when I started listening to music in my teens.
I never really felt connected to CDs and I really love vinyl but I do not
really listen to any of them. Nowadays I tend to listen to music on Bandcamp or
Spotify. I have lots of my all-time
favorite records on vinyl though.
What
artists (musicians or otherwise) have most influenced your work?
If we take a look at Zombie Girlfriend’s sound and
try to trace its origins, the following bands come to mind: The Jesus and Mary
Chain, Black Moth Super Rainbow, The Chills, The Magnetic Fields, The Clientele
and The Dandy Warhols. Some of these bands I don’t listen to anymore, but they
still influence my songwriting. I listen to all kinds of music – I also study
piano so I even listen to jazz but I don’t think you can hear that in Zombie
Girlfriend’s songs, haha.
What
is your philosophy (on life), if any, that you live by?
You don’t have to be evil or mean-spirited to hurt
people—it’s enough if you’re a coward. So if you have something you have to
say, don’t be afraid and let it be known, even if it leads to conflict. That’s
something I’m constantly working on and hey, I think it’s a pretty good
advice. Obviously, it’s also really hard
to do.
