When The Sun Hits Interviews
Ann Yu and Jon Waters of Silver Swans
interviewed by amber crain
The Silver
Swans are three fictional characters in the Wonder Woman stories. Each Silver
Swan has the ability to create powerful sound waves with her voice. Her
"swan song" is capable of devastating a small area of land with its
destructive force. By creating a low-level humming, the Silver Swan can form a
protective shield around herself that can deflect bullets and projectiles. They
also have the telepathic ability to control birds and re-arrange matter with the
sound they generate.
Musically,
Silver Swans capture the eerie drama of The Knife and the sweet darkness of
Ladytron. This electro dream pop project from San Francisco began in 2007 as a
song floating between producer and musician, Jon Waters and vocalist Ann Yu, harnessing
the energy of electro pop infused with dream-like ethereal vocals – and the
songs kept floating, and the project grew.
I was already
a fan, but after recently hearing their newest single, Sea of Love, I felt my
adoration for them rekindled. Very pleased to present the following interview
with the Silver Swans.
BAND MEMBERS
Ann Yu ||
vocals
Jon Waters || sampling, guitar, keys
Jon Waters || sampling, guitar, keys
How and when was the band formed?
ANN: Silver Swans was
formed in 2007. Jon reached out to me
via Myspace to sing on one of his tracks.
I fell in love with the song.
Exchanging emails and working on the track with him drew me in
immediately to the world of electronic music. His ability to imagine anything
and create what I imagined was a dream come true.
Can you tell
us what the band has been working on and what you've got forthcoming in the
near future (new releases, tour, etc.)?
We’ve pretty much been in hiding working on a new album which releases
this fall. I’m looking forward to playing
shows and seeing some sun, maybe.
Do you
consider your music to be part of the current shoegaze/dream pop scene, or any
scene? Defining one's sound by genre can be tiresome, but do you feel that the
band identifies closely with any genre? How do you feel about genres in music,
in a general sense?
Hmmmm, I hate
to be clichĂ© and then also say we aren’t defined by a genre. But I will say I’m just happy to have our
listeners identify and be attracted to us in whichever genre, scene, or style
they see us in.
What do you
think of modern shoegaze/dream pop/psychedelia artists, any favorites? I do love Still Corners and I Break
Horses. Breathtaking and ethereal.
What is your
process for recording your music? What gear and/or software do you use? What would
you recommend for others?
We usually
start with ideas sketched out in Ableton Live, Ann will pick out her favourites
and we'll build on it from there. We keep a running Google doc that we both
update with anything new we want to add or fix. At some point it will end up in
Logic for what we refer to as "the treatment". For this album we
actually kept the drums in Ableton and rewired it to Logic, I love drum racks
in Ableton and the ability to swap things on the fly.
Vocals are all recorded by Dave our drummer at his house and then receive the
treatment at mine. As for other
gear here’s what we relied heavily on for this record:
Keyboards
Juno 60
Pro One
Matrix 6 & 1000
Slim Phatty
Virus Polar
Drums
Elektron MD
Oberheim DX
Maschine
Zildjian hi hats and ride
Ludwig vistalites
Outboard gear
Mics - Cad, Ntec & Sure.
Trident mic pre
UA 6176 mic pre
Eventide H3000
Roland Space Echo
Aphex aural exciter
Panasonic Ramsa mixer
Otari 2-track reel to reel
All connected to RME Fireface 800
As far as recommendations go, get to know the gear you have, you can create music these days on your phone, you don't need a huge arsenal just a few choice weapons.
Keyboards
Juno 60
Pro One
Matrix 6 & 1000
Slim Phatty
Virus Polar
Drums
Elektron MD
Oberheim DX
Maschine
Zildjian hi hats and ride
Ludwig vistalites
Outboard gear
Mics - Cad, Ntec & Sure.
Trident mic pre
UA 6176 mic pre
Eventide H3000
Roland Space Echo
Aphex aural exciter
Panasonic Ramsa mixer
Otari 2-track reel to reel
All connected to RME Fireface 800
As far as recommendations go, get to know the gear you have, you can create music these days on your phone, you don't need a huge arsenal just a few choice weapons.
How do you
feel about the state of the music industry today? There is no doubt a massive
change underway; how do you see it and do you feel it’s positive at all?
It is
seemingly becoming easier and easier to release material and have people
writing about it instantly. But it’s
created an over-saturated and very attention deficit market. So yes, it’s easier to be noticed but much
harder to keep any kind of momentum going.
The way musicians earn income and the way musicians create sustainable
platforms to release their music will be ever changing I think.
When it comes
to label releases versus DIY/bandcamp and the like, what is your stance, if
any?
I think a
band needs label representation no matter what is out there to self release your
music unless you are an experienced music project manager who can self direct your
release campaign and put together a team of people who will be working your
album. If you have the time and
resources to do this, then it’s possible to DIY. Otherwise, I think you really need the expertise
of people who have experience working albums.
I’m not speaking of one song viral hits.
Do you prefer
vinyl, CD, cassette tape or mp3 format when listening to music? Do you have any
strong feelings toward any of them?
ANN: I listen to everything on my laptop with mp3s, and through headphones. I would like to own a record player and listen to vinyl at home one day, have a nice bossa nova collection and a little bit of old r&b too, that would be nice.
JON: Vinyl is
still king and our Otari sounds nice, everything else is second rate compared
What artists (musicians or otherwise) have most influenced your work?
JON: For me I'd
have to say:
Pollock
Heron
Gaye
Mayfield
Vivaldi
Matisse
Monet
Shakespeare
Wilde
Weller
Bacharach
Hendrix
Bell (Thom) & (William)
Hardaway Judkins (Stevland)
too many to mention...
Pollock
Heron
Gaye
Mayfield
Vivaldi
Matisse
Monet
Shakespeare
Wilde
Weller
Bacharach
Hendrix
Bell (Thom) & (William)
Hardaway Judkins (Stevland)
too many to mention...
ANN: I just
finished reading the Element by Sir Ken Robinson, taking in the current issue
of Kinfolk magazine and just discovered Maps at a coffee shop near my place,
and finally watched Jiro Dreams of Sushi, highly recommend any of the above.
JON: Currently reading "Mr Cools Dream", it's a day to day account of the band The Style Council. Also read "Everybody Poops", to my niece, very good with great illustrations!
Film - Kubrick
Art - mad about Pollock right now, at first when I saw his paintings in London years ago I didn't get it but now it speaks volumes to me. Also local San Francisco artist Xiaojie Zheng is amazing!
Hairstylist - Mary Quant
Fashion - Ferragamo
Writer /Poet - Oscar Fingal O'Flaherty Wills Wilde
JON: Currently reading "Mr Cools Dream", it's a day to day account of the band The Style Council. Also read "Everybody Poops", to my niece, very good with great illustrations!
Film - Kubrick
Art - mad about Pollock right now, at first when I saw his paintings in London years ago I didn't get it but now it speaks volumes to me. Also local San Francisco artist Xiaojie Zheng is amazing!
Hairstylist - Mary Quant
Fashion - Ferragamo
Writer /Poet - Oscar Fingal O'Flaherty Wills Wilde
If you had to
choose one track that was the ultimate definition of your sound, which would it
be and why?
The ultimate
definition of our sound might be Solace?
It has all the elements of what we identify with our new album. Love, sentimental and sensual, whispering and
floating, moody and soft.
Can you tell
us a little about the band’s song writing process?
Sometimes Jon
sends me an instrumental track, sometimes I send Jon a vocal track. We always finish the song together but the
beginning stems from an inspiration by one of us.
What is your
philosophy (on life), if any, that you live by?